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Meet Neil Zaza

By News, Neil Zaza

Neil Zaza is a world renowned instrumental guitarist who has become known for his technical accuracy and adaptation of classical works by Bach and Mozart into his own blend of neo-classical, melodic, guitar instrumentals. We sat down with him to see how rock and ballet come together in his mind for Carnival Macabre.

What is rock to you?
Rock is an attitude, a swagger and an ideology. It’s about doing something individualistic and with a vision that stays true to who you are and not to those around you. It’s about following your own calling even if it means ruffling feathers. It’s about doing things on your own terms.

Last year was the first time you had worked with a ballet company. What did you notice about how dancers work vs musicians?
The intensity! The dancers were way more focused in rehearsals than musicians. Dancers I would offer, have a more driven work ethic. Dance are there to WORK! Musicians are mixing getting the songs done, socializing, etc.

What excites you about presenting this project as a movie given the pandemic?
I think that we can explore various feelings, movements as well as locations in these pieces really takes the collaboration up a level from a standard stage presentation. We are able to offer so much more artistic vision to the viewer. Plus, with close shots and unique angles, the attendee gets a perspective they would never have a chance to.

Neil Zaza

Not only has guitarist Neil Zaza helped to define the genre of melodic instrumental guitar, he has become a worldwide ambassador for the instrument itself. His melodic compositions have changed the way musicians play, and what audiences worldwide demand out of their guitar heroes. With fiery technical brilliance and breathtaking musical interpretation, Neil Zaza has defined himself as the instrumental guitarist with an unparalleled ability to combine solid, catchy songwriting with a keen melodic sense and technical fury. From his virtuoso rock solos, to laying a funk groove, to demonstrating his classical prowess by performing Bach and Mozart compositions, Zaza’s extreme versatility has been showcased worldwide in concerts, clinics, festivals, as well as on his own solo instrumental albums. Zaza has shared the bill with Joe Satriani, Steve Vai, Dweezil Zappa, Steve & Mike Porcaro (Toto), Yngwie Malmsteen, Vinnie Moore, and Andy Summers among countless others. He has performed on albums by Dweezil Zappa, Eric Carmen, Michael Stanley and also supplied guitar tracks for a Stewart Copeland-produced movie soundtrack. It all began… in Akron, Ohio, where Neil Zaza was born, and still resides. Zaza started playing guitar at the age of 10 and went on to study classical guitar at The University of Akron under renowned educator and performer Stephen Aron. Zaza began to teach guitar, and in 1987 he formed the rock band Zaza, which quickly became one of the hottest U.S. touring bands at that time. After a successful run and even a hit song “Maybe Tomorrow”, the band disbanded, and a brilliant solo career began.

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Metal Head + Choreographer

Photos: Kolman Rosenberg Antonio Morillo is a first-generation Cuban American born in Florida. He joined…
Performances

Carnival Macabre

Verb Ballets presents Carnival Macabre with rock guitarist Neil Zaza, a online cinematic dance-rock experience.…
News

Bringing the supernatural to life

Verb Ballets will make a guest appearance on Neil Zaza's One Dark Night…, A Rock…

Metal Head + Choreographer

By News, Neil Zaza

Photos: Kolman Rosenberg

Antonio Morillo is a first-generation Cuban American born in Florida. He joined Verb Ballets in 2016 and has choreographed five works for Verb Ballets including a work selected by the Martha Graham company that premiered in NYC on the Next@Graham series in 2017. He has passionately choreographed for the new dance-rock film collaboration, Carnival Macabre. We sat down with him to see how he approached this new challenge.

What was your inspiration behind that name Carnival Macabre?
The idea behind the piece is that this band of dancers, alongside Neil Zaza, are dead members of a carnival. Some mystical power brings them to life for just one day.

How is choreographing for film different than stage?
Choreographing for film allows for greater control over how and what the viewer is seeing. It also allows for multiple takes, so that moments can be perfected for the final product. These are the two differences that stood out the most for me.

How does the rock music influence your choreography?
I am a huge metal head. I have always listened to, and have been inspired by, rock and metal music. I listened Neil’s music A LOT. I allowed the rock music to inspire qualities and dynamics I wanted to draw out in my movement. I would then focus on creating phrase-work based on those qualities.

What was the best thing you learned from going through this project?
I learned a lot about how choreographing for film and stage differ greatly. A lot of collaboration as well as troubleshooting on the fly went into this project. I have learned that it’s especially important to be flexible with your ideas.

What do you look forward to doing more of this season?
I am looking forward to more performance opportunities, hopefully,and more exploration of dance for film.

Antonio Morillo

Antonio is a first-generation Cuban American born in Orlando, Florida. He received his Associate of Arts in Dance Performance from Valencia College and his BFA in Dance Performance from the University of South Florida. Antonio has performed with the Patel Conservatory’s Next Generation Ballet as well as Tampa City Ballet. He has performed works by Jon Lehrer, José Limón, Alonzo King LINES Ballet, Robert Moses’ Kin, and Maurice Causey. Antonio joined Verb Ballets in 2016 and has been featured in works such as Andante Sostenuto and Aposiopesis.

 

Latest Articles

News

Metal Head + Choreographer

Photos: Kolman Rosenberg Antonio Morillo is a first-generation Cuban American born in Florida. He joined…
Performances

Carnival Macabre

Verb Ballets presents Carnival Macabre with rock guitarist Neil Zaza, a online cinematic dance-rock experience.…
News

Bringing the supernatural to life

Verb Ballets will make a guest appearance on Neil Zaza's One Dark Night…, A Rock…

Verbiculture Fall 2020

By News, verbiculture

Verb Ballets’ first ever digital magazine! Get the inside scoop on what is going on behind the scenes with choreographer interviews, videos, articles and more. Hit to read in fullscreen with the button in lower right corner.

Don't miss NeoClassical Lines!

Private live stream performance October 9th at 7:00pm EST

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Ballet Unbound at EJ Thomas Hall

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Nutcracker Soirée

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Adagio For Two Dancers

By News

The company will remount Heinz Poll’s Adagio for Two Dancers with permission of Jane Startzman. This breathtaking duet highlights luxurious partnering with lifts that make for ravishingly sculpted closeness. The couple featured in gold unitards under gorgeous lighting is meant to evoke the image of dancing under the light of a cathedral window. The ballet was choreographed in 1973 for Ohio Ballet. Ms. Startzman danced the ballet many times and is the reguisser for the piece.

Jane Startzman has over 50 years’ of experience in the field of professional dance, including work as a principal dance artist, operations coordinator, executive assistant to the Artistic Director of Ohio Ballet, Heinz Poll as well as company/tour manager. Jane is currently director and co-founder of the Heinz Poll Summer Dance Festival, which began as Ohio Ballet’s Summer Festival in 1974.

The interview captures what she hope to pass down about the his work. The company will present this classic plus two other neoclassical works on the third of our  ACCESS/Verb, private livestream performance series, on Friday, October 9th!

Photos Kolman Rosenberg from 2019 of first staging the work

Don't miss NeoClassical Lines!

Private live stream performance October 9th at 7:00pm EST

Jane Startzman

Ms. Startzman danced professionally, with Ohio Ballet, Ballet Puertoriqueno, and Tampa Ballet from 1969 through 1989. She has performed major roles in works by master choreographers including Paul Taylor, George Balanchine, Laura Dean, Robert Joffrey, Gerald Arpino, Pilobilus, assorted classical roles, and major roles in most Heinz Poll ballets. As artistic administrator for Heinz Poll’s Ohio Ballet, Jane was executive assistant to Heinz Poll, and also tour manager, managing an artistic/production staff of 25-30 on tour nationally, and internationally. She ran the educational outreach program, booked the company throughout Ohio and was involved as artistic liaison between the board of directors and the dancers, and in strategic planning sessions for the company.  Jane was one of the first eight dancers that comprised the initial class of the School of Dance, Theatre and Arts Administration at the University of Akron in 1970. She was on the part-time dance faculty of the University of Akron from 1995 through 2008.

Ms. Startzman owns the licensing rights to 5 of Heinz Poll’s ballets and has set four works on Verb Ballets, helping to keep the legacy of Heinz Poll alive through the reproduction of his work as well as directing the festival that bears his name – furthering his mission of presenting professional, high quality dance in outdoor parks – free of charge to the public, as a gift of the arts to the Akron area community.

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Meet Kelly

By News

Meet our company dancer Kelly Korfhage. “Kelly the Shell/Kelisha/Kelly-K” is in her 5th season with the company. Her favorite pieces to perform are Adagio for Two Dancers and Schubert Waltzes by Heinz Poll and K281 by Adam Hougland. Outside of the studio, Kelly likes to care for her cactus plant collection, watch YouTube videos about anything, eat at patio restaurants, hike, craft, and spend time with family and friends. This entrepreneurial ballerina has a chair caning business (check our her Facebook page, “Caning by Kelly”) and is working on her real estate license. You can catch Kelly on stage or teaching Sunday Dance For Everyone classes!

Photo: Omar Z. Robles

Photo: Bill Naiman

Photo: Bill Naiman

Kelly Korfhage

Kelly Korfhage, a native of Cleveland, began her training at age 10 under Joanne H. Morscher and Ana Lobe. She attended summer intensives at ABT Detroit, Central Pennsylvania Youth Ballet, BalletMet, Cincinnati Ballet, and North Carolina Dance Theatre. She furthered her dance education at the University of Cincinnati-College Conservatory of Music as a Corbett Award scholarship recipient and graduated cum laude with a BFA in ballet performance. Following graduation, Kelly became a member of Kansas City Ballet’s second company, KCB2, for two seasons where she had the opportunity to perform with the company in repertoire such as Septime Webre’s Alice (In Wonderland) and Adam Hougland’s Rite of Spring. Kelly joined Verb Ballets in 2016 and has been featured in works such as Andante Sostenuto and Schubert Waltzes.

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Spring Gala April 11, 2026 6:30PM Martin Luther King Jr. Campus of the Cleveland Public…
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Meet Demetrius

By News

Meet our newest dancer, Demetrius Lee! “Meachie” is joining Verb for the summer as a Junior Apprentice before attending Boston Conservatory on full scholarship in the fall. He recently graduated from Cleveland School of the Arts and has already travelled all over the country for his young dance career. His preferred dance styles are contemporary and modern, but he is grateful for the technical strength ballet brings. Demetrius says that when he isn’t dancing, he loves to watch movies, take photos, and go out with friends!

Demetrius Lee

Demetriuis Lee was born and raised in Cleveland, Ohio where he began his dance training at Cleveland Inner-City Ballet under the direction of Chandra Ford-White. Later, he studied at the Cleveland School of the Arts then went on to the Tri- C Creative Arts Dance Academy from 2015-2020 while being a full-time high school student. He has also studied at various summer intensives on scholarship including San Francisco Ballet, Houston Ballet, Joffrey Ballet, and American Dance Festival. Lee just graduated from Cleveland School of the Arts, in the top 10 of his class. This year, Demetrius is a recipient of the Presidential Scholarship Award for the dance division at Boston Conservatory at Berklee where he will be receiving his BFA in dance in 2024. Furthermore, he has performed works by Christorpher Huggins, Darrell Moultrie, Troy Powell, Kay Eichman, Deshona Pepper- Robinson, and so many more. Demetrius is so excited and blessed to be able hold a place as an junior apprentice at Verb Ballets for the 2020-21 season.

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Raymonda’s Wedding

By News

Verb Ballets mounts the classic, Raymonda’s Wedding. The ballet opens with the ensemble in beautiful radiant tutus, full of spirited czardas rhythms. Both directors Dr. Margaret Carlson and Richard Dickinson, MFA have danced this challenging ballet and are pleased to bring this classic to the company repertory. The company interviews capture the challenges of staging this work during the time of COVID-19 pandemic. The company will present Raymonda’s Wedding and Rococo Variations on the first of the ACCESS/Verb, private live stream performance series, on Friday, July 31st !

Don't miss Classical Variations!

Private live stream performance July 31st at 7:00pm EST

The Raymonda Ballet

The tale of Raymonda is a Russian ballet performed in three acts originally choreographed by Marius Petipa in 1898 to music by Alexander Glazunov. Today, the Raymonda Ballet is still performed by many ballet companies throughout the world. The story is based on Count Jean de Brienne (a knight), betrothed to Raymonda (a young Hungarian noblewoman), who abandons her to join the Crusades against the Saracens. The ballet is famous for its Grand Pas Classique known as the Grand Pas Classique Hongrois or Raymonda Pas de Dix from the third Act, which is often extracted from the full-length work to be performed independently. The third act is the wedding of the two happy lovers as the castle celebrates their marriage in an explosion of merriment. Together, this all creates the image of a heroine who embodies the many facets of womanhood. The piece will feature the virtuosity of the dancers with technique, grace, beauty of line and absolute skill.

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Pursuing ballet as a Korean American

By News

Company member Daniel Cho wrote an article for Dance Magazine about pursuing ballet as a first generation Korean American. Born and raised in San Francisco, California, he didn’t begin to study ballet until he was 20 years old. He attributes his ability to pursue a career in dance to the educational opportunities his parents provided, as well as the remarkable work ethic he credits to his Korean culture. Daniel received his training from Point Park Conservatory, the Laban Conservatoire in London, the Ballet X Summer Intensive, the San Francisco Conservatory of Dance and the Coastal City Ballet in Vancouver. He is a recent graduate of the Alonzo King LINES Ballet Training program and joined Verb Ballets in 2018. We are so pleased that his hard work has been recognized.

Daniel Cho

Daniel is first generation Korean American born and raised in San Francisco, California. He graduated with a BA special major in Dance and Education from Swarthmore College. He received his training from Point Park Conservatory, the Laban Conservatoire in London, the Ballet X Summer Intensive, the San Francisco Conservatory of Dance and the Coastal City Ballet in Vancouver, British Columbia. Daniel is a recent graduate of the Alonzo King LINES Ballet Training Program, where he had the pleasure of performing works by Alonzo King, Angela Dice Nguyen, Sidra Bell, Shannon Gillen, Alex Ketley, Gioconda Barbuto, Maurya Kerr, and Gregory Dawson. Daniel joined Verb Ballets in 2018 and has been featured in such works as Mowgli’s Jungle Adventures.

 

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Spring Gala April 11, 2026 6:30PM Martin Luther King Jr. Campus of the Cleveland Public…
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Black Lives Matter

By News

A Statement from the Board of Verb Ballets 

Admittedly, we, the members of the Verb Ballets Board of Directors, are late in responding to the violence against George Floyd, Breonna Taylor, Ahmaud Arbery, and countless other Black people in the United States who have been the target of racially motivated murder, violence, and systemic oppression. We apologize for the lateness of this message and pledge to do and be better.

If we are to fulfill Verb Ballets’ vision to be a leader of dance performance, to nurture wellness, and to be a thought leader in dance performance nationally and locally, we must fight against the dehumanization of Black lives.

So, moving forward, WE WILL:

IDENTIFY how Verb Ballets perpetuates racism;

COMMIT financial and artistic resources to ensure Verb Ballets intentionally practices anti-racism and promotes racial equity;

SUPPORT our staff’s efforts to engage Black choreographers and recruit Black dancers;

REACH OUT to Black and Brown community members to join our Board;

PLEDGE to make the work of anti-racism and equity an on-going commitment; and

UPLIFT the voices and art of Black people.

If the recent events have taught us anything, it is that good “intentions” alone are not enough.  We must, and will, act on those good intentions to help achieve meaningful, sustained change that will lead to Black community members living and thriving free from historical, systemic oppression.

VERB in action

By COVID-19, News

Verb = expresses action, state, and inflects for tense, aspect, voice, or mood

Isolating cannot stop artists from creating! Using our name as a jumping point, Verb Ballets’ company dancers have improvised movement that reflects what ‘VERB’ means to them. It has many qualities and the possibilities are endless. See if you can find ‘VERB’ in their phrases!

At the beginning of the season, no one could have ever imagined that we would have to stay at home due to a pandemic. Though it has been a pause, it has reignited the passion in the dancers to move. As artists, our job is to bring hope and inspiration and though the days ahead may appear different, we will continue to bring dance to our community.

Company photo after the summer season 2020

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