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Ohio Contemporary Ballet

Aves

By News

Choreographer, Michael Escovedo explores the light and delicate energy of birds without compromising their strength in his new work Aves.

May 17-19, 2018Fresh Inventions at Cleveland Public Theatre

How do you use your dancers, and what do they contribute to your choreography?
I’m fortunate enough to get to choreograph on dancers that I work with every day. So every piece I make is usually created around what I already know my dancers can offer me. I picked these four particular dancers Kelly Korfage, Lieneke Matte, Antonio Morillo, and Nathaniel Santiago because they each show a light and delicate energy, without compromising their strength. And with a piece all about birds, that was an important quality to have.

Can you take apart a piece of the music and explain how that was countered to your choreography?
Actually every piece of music in the piece can be broken down to a different meaning. I wanted to show a similarity between human and animal emotions. Each song has a different situation, or a different story, that portrays an emotion that any human can relate too. For example, the first variation, done by Kelly Korfage, is supposed to represent a baby bird jumping from the nest for the first time. I played on the already clumsy and displaced nature of the song to show a weak, uncoordinated bird building up the bravery to make a scary jump. Each song has a different tone, and therefore has a different emotional situation attached.

You designed your won projections. Do you have a background in the visual arts also? How did you go about creating those?
I have absolutely no background in visual arts. In fact, I was a straight A student, except for art! For my projections I wanted to keep things minimal, so as to compliment the dancers and not overshadow them. I went on to Microsoft paint and played with the already made shapes to make some geometric and visually impactful images.

What influences your own inspiration?
I am a very internal person, and tend to spend a lot of time stuck in my own head. Because of this it has always been difficult for me to communicate emotions, ideas, and even just regular conversation. What inspires me the most about choreographing is that, through body language, I am able to say these things that I’ve had bottled up for my whole life! It’s almost like finally learning how to speak English after living in an English speaking country for two decades. Now that I can communicate through choreographing anything and everything inspires me! I have hundreds of playlists on my phone all dedicated to different ideas for future pieces. My main inspiration probably comes from emotional health, and different mental phenomenons. They have always been an interest of mine and there are so many different ways the mind can work.

What is something you learned from the field trips involved with the choreographic research project?
I learned that technology really is the future of the dance world. In an ever evolving technological world, the theater process is becoming outdated. I was able to learn all different ways to take dance from the stage, to peoples living rooms.

Whats my biggest dance wish?
In a perfect world I would be the new Head Master in Chief  of New York City Ballet. But in the real world I would love to be a resident choreographer or a ballet master/rehearsal director of a ballet company. As long as I get to continue to choreograph I will be happy!

Don't Miss!

Verb Ballets
May 17-19, 2018 7:30pm
Cleveland Public Theatre
Tickets: $12 Thurs $30 Fri/Sat

Michael Escovedo

Choreographer and Dancer

Michael Escovedo was born and raised in the small town of Broomfield, Colorado and started competitive gymnastics when he was 5. After three years of strict training and competitive successes within the USAG gymnastics program Michael decided to start ballet in order to improve his gymnastics routines. It took one class for Michael to decide to quit gymnastics and attend ballet class full time at Ballet Nouveau Colorado (BNC). At the age of 15, after seven years of training and performing at BNC, Michael moved to New York City to train with The School of American Ballet. Michael has also choregraphed two company works for Verb Ballets. After his graduation in 2014, Michael joined Verb Ballets and has been featured in works such as Tarantella and Ne Me Quitte Pas.

Fresh Inventions at DanceWorks 2018

contemplate as a possibility

By News

Choreographer Kate Webb explores innovative digital techniques overlaid within traditional stage performance newest work envisage.

May 17-19, 2018Fresh Inventions at Cleveland Public Theatre

What does the title of your new work mean?
en·vis·age ~ contemplate or conceive of as a possibility or a desirable future event.

How would you describe your movement style? 
Swirling movement cast upon a geometric structure (with some groove thrown in).

How do you begin making a dance?
Finding music. I believe the relationship between music and movement is sacred and indisputably interdependent.

You are utilizing video projections in your work. How did you go about creating those? 
I filmed footage of the dancers in the studio, outside, and in the theater. I then used various movie editing apps to slow them down, adjust their coloring, crop them, and reverse them. Finally, I imported them into iMovie and edited the full projection into one cohesive file including all 3 music tracks.

How would you define innovation? 
The golden stuff that comes from using an unconventional perspective as the source for thinking/doing.

Which of the field trips involved with the choreographic research project inspired or sparked creativity? 
As much as I loved going to NASA, (outer space is the neatest🤓!) working with Gary Galbraith at Case Western Reserve University was the most inspiring for this specific dance/tech mission. One of my favorite things is finding out how much I know absolutely nothing about. It keeps me humble and thinking. Holograms in dance? Infrared light sensors? …So much to discover!

What you are looking forward to in 2018 as a dancer and choreographer? 
As excited as I am for the continuously innovative dance scene of the future, the thing I’m looking forward to the most remains consistent and grows in intensity with every passing year—and that’s my love of dancing! I genuinely can’t wait to be immersed in another full year of movement, choreography, and performance. Every additional year I get to dance is a gift in countless ways. Cheesy but true!

Don't Miss!

Verb Ballets
May 17-19, 2018 7:30pm
Cleveland Public Theatre
Tickets: $12 Thurs $30 Fri/Sat

Kate Webb

Dancer and Choreographer

Kate Webb grew up in Richmond, Virginia where she danced both as a student and as a trainee with Richmond Ballet. She trained around the country at numerous intensive programs such as Central Pennsylvania Youth Ballet, Boston Ballet, and Complexions Contemporary Ballet. Upon graduating from Appomattox Regional Governor’s School for the Arts, she attended Butler University on both dance and academic scholarships. While dancing with Butler Ballet, she performed in Poland, Slovakia, and the Czech Republic. After fulfilling her degree in three years, she graduated cum laude in May of 2015 with a BS in Dance-Arts Administration and high departmental honors. Kate joined Verb Ballets in 2015 and has been featured in works such as Peter Pan and Aposiopesis.

Fresh Inventions at DanceWorks 2018

Three Graces

By News

Choreographer, Richard Dickinson, MFA explores universal connections in his newest work "Beyond Graces" inspired by the famous painting by Sandro Botticelli.

May 17-19, 2018Fresh Inventions at Cleveland Public Theatre

Tell us a bit about your piece? 
Like most choreographers, I like to leave the interpretation up to the individual audience member.  I had many ideas roaming around in my head as I created the work, #1: a work using the Verb Ballets Trainees , #2: a work interpreting the music,#3:  a work relating to a famous painting (Botticelli’s “Three Graces”). Then I added the ball which took the work to another level: is it an energy source, is it the sun, are the goddesses creating the universe represented by the ball? The ball could represent money, greed, family tensions, the earth (making it a piece about global catastrophes) almost anything depending upon who you are and where your thinking is on the particular day you watch the dance.

As a long time established dancer how did you transition in the role of choreographer? 
Choreography is hard for me, it is like turning your insides/out and saying to everyone, THIS IS ME!  I am a private person, and exposing myself by choreographing is a way of expressing who and what I am.

What’s your approach to creating work – do you have it all worked out before going in the studio? 
Yes and No:  I have it worked out like a storyboard for a movie, the general idea of how the work should flow is there, and most of the individual steps are created beforehand, but as the work progresses and I see how the dancers react to the piece, I change things to make it “read” better for me, and also to make it more organic for the dancers.

How has technology been an inspiration and accomplice in the development of this work? 
Technology came as an after. How can I make technology work? It has developed from using a drone (which a choreographer consultant said not to use); to using a video. There was no ball at the beginning and now there is. I try not to place myself into a pigeon hole and say that’s the end. Things can grow and develop as they emerge into a solid work.

Do you feel like a ballet choreographer?  Or a choreographer? 
I choreograph.

How does your work connect to the larger world? 
As Balanchine said, “The work isn’t a success until the audience says it is.” So I’ll wait and see. What is a larger world?  Is there a larger world? I am my own mandala, which is the center of my world and we go out from there. Metaphysical thinking, I see your mandala is part of my mandala.

Don't Miss!

Verb Ballets
May 17-19, 2018 7:30pm
Cleveland Public Theatre
Tickets: $12 Thurs $30 Fri/Sat

Richard Dickinson, MFA

Associate Director and Choreographer

Richard Dickinson, MFA is the Associate Director for Verb Ballets. A former dancer with Ohio Ballet Dickinson’s association with that company began in 1988. He later became ballet master and director of company touring. Richard has served as Artistic Associate for Hubbard Street Dance Chicago. He was most recently the Artistic Director of Ballet Western Reserve and Great Lakes Festival Ballet. Dickinson has also directed Boston Ballet II and was a soloist with Boston Ballet for eight years. At age fifteen, he joined the Pasadena Dance Theatre and was awarded a National Endowment for the Arts Emerging Choreographer Award for a work premiered by the same company. He performed in the PBS television production of “Frankie and Johnny” with the Chicago Ballet and danced principal roles in Asian, European and American tours with Rudolf Nureyev and the Boston Ballet. His other credits include principal and soloist roles with Ohio Ballet, Boston Ballet, Honolulu City Ballet, various regional companies and Chamber Dance Theatre in Milwaukee, where he was also Artistic Director. Dickinson has adjudicated four Regional Dance America festivals held throughout the United States. He received his Master of Fine Arts degree in Contemporary Dance from Case Western Reserve University in 2005.

Fresh Inventions at DanceWorks 2018

Verb Ballets returns to Cleveland Public Theatre’s DanceWorks 2018 
with Fresh Inventions

By Press Releases

CLEVELAND, OH –  Cleveland Public Theatre presents Verb Ballets in Fresh Inventions at DanceWorks 2018, May 17-19, 2018 with vibrant performances that highlight bold artistry through the dancer’s creative lens. Fresh Inventions is built on the talent of company members and provides the opportunity to tap into a new realm of artistic development by experiencing the choreographic side of creation. Verb Ballets presents premieres of new works by Verb Ballets’ Associate Director, Richard Dickinson, MFA, company dancers Kate Webb, Michael Escovedo, Lieneke Matte and trainee, Jocelyn Magons.

The works in Fresh Inventions are a result of explorations in the process of integrating new technology, music and virtual reality into the choreographic effort. These premieres are the result of a choreographic initiative supported by an Ohio Arts Council Arts Next grant. Verb Ballets led field trips to NASA, New Territory Virtual Reality Arcade and Case Western Reserve University to investigate new technology applications with dance. The National Center of Choreography Akron led a community panel on innovation and facilitated audience feedback to works in progress. Fresh Inventions reflects Verb Ballets’ vision to be recognized as a catalyst to promote learning and encourage dialogue about dance as an art form.

Verb Ballets is honored to return to Cleveland Public Theatre’s DanceWorks for its 18th year. Verb Ballets will perform May 17-19, 2018 in the Gordon Square Theatre. Performances begin at 7:30 p.m. Single tickets on Fridays and Saturdays are $30 for general admission, and $12 for all tickets on Thursdays. Students/Seniors receive $3 off on Friday and Saturday nights. Purchase seats by calling 216-631-2727 ext. 501, online at www.cptonline.org or buy in person at the Cleveland Public Theatre box office, located at 6415 Detroit Avenue, Cleveland, Ohio 44102. For more information on the DanceWorks 2018 series and to purchase tickets, visit www.cptonline.org.

May 17-19, 2018 at 7:30pm  
DanceWorks 2018 presented by Cleveland Public Theatre
Fresh Inventions
Verb Ballets
Thursday $12, Friday/Saturday $30  
Students/Seniors receive $3 off on Friday and Saturday

Photos or interviews available upon request by contacting  
Jennifer Garlando, Director of Marketing & PR at jgarlando@verbballets.org.  

Choreographers
Richard Dickinson, MFA, Verb Ballets’ Associate Director
A former dancer with Ohio Ballet in Akron, OH, Dickinson’s association with that company began in 1988. He later became ballet master and director of company touring. Richard has served as Artistic Associate for Hubbard Street Dance Chicago. He currently is Associate Director for Verb Ballets. He was most recently the Artistic Director of Ballet Western Reserve in Youngstown, OH and the Artistic Director of Great Lakes Festival Ballet (Warren, OH). Dickinson has also directed Boston Ballet II and was a soloist with Boston Ballet for eight years. At age fifteen, he joined the Pasadena Dance Theatre and was awarded a National Endowment for the Arts Emerging Choreographer Award for a work premiered by the same company. He performed in the PBS television production of “Frankie and Johnny” with the Chicago Ballet and danced principal roles in Asian, European and American tours with Rudolf Nureyev and the Boston Ballet. His other credits include principal and soloist roles with Ohio Ballet, Boston Ballet, Honolulu City Ballet, various regional companies and Chamber Dance Theatre in Milwaukee, where he was also Artistic Director. Dickinson has adjudicated four Regional Dance America festivals held throughout the United States. He received his Master of Fine Arts degree in Contemporary Dance from Case Western Reserve University in 2005.

Michael Escovedo
Michael Escovedo was born and raised in the small town of Broomfield, Colorado and started competitive gymnastics when he was 5. After three years of strict training and competitive successes within the USAG gymnastics program Michael decided to start ballet in order to improve his gymnastics routines. It took one class for Michael to decide to quit gymnastics and attend ballet class full time at Ballet Nouveau Colorado (BNC). At the age of 15, after seven years of training and performing at BNC, Michael moved to New York City to train with The School of American Ballet. Michael has also choreographed two company works for Verb Ballets. After his graduation in 2014, Michael joined Verb Ballets and has been featured in works such as Tarantella and Ne Me Quitte Pas.

Lieneke Matte
Lieneke Matte grew up in the Bronx and received her early training at Ballet Tech and the School of American Ballet. She then attended Fiorello H. La Guardia High School for the Performing Arts in New York. Lieneke studied for a semester at the Western Australian Academy of Performing Arts and graduated summa cum laude with a BFA in dance from SUNY Purchase College in May of 2013. There she also received the President’s Award for the dance conservatory. She has performed in works by George Balanchine, Paul Taylor, Lar Lubovitch, Merce Cunningham, Martha Graham, Nicolo Fonte, Nicholas Villeneuve and Xiao-Xiong Zhang. Lieneke also was a dancer in the documentary No Dominion: The Ian Horvath Story which included re-stagings featuring dancers from Verb Ballets, Pacific Northwest Ballet, The Joffrey Ballet, Boston Ballet and Ballet Tucson. Lieneke joined Verb Ballets in 2013 and has been featured in works such as Duet and Laura’s Women.

Kate Webb
Kate Webb grew up in Richmond, Virginia where she danced both as a student and as a trainee with Richmond Ballet. She trained around the country at numerous intensive programs such as Central Pennsylvania Youth Ballet, Boston Ballet and Complexions Contemporary Ballet. Upon graduating from Appomattox Regional Governor’s School for the Arts, she attended Butler University on both dance and academic scholarships. While dancing with Butler Ballet, she performed in Poland, Slovakia and the Czech Republic. After fulfilling her degree in three years, she graduated cum laude in May of 2015 with a BS in Dance-Arts Administration and high departmental honors. Kate joined Verb Ballets in 2015 and has been featured in works such as Peter Pan and Aposiopesis.

Jocelyn Magons
Jocelyn Magons was born in Cincinnati, Ohio. She began her pre-professional ballet training under the direction of Christina Foisie at the University of Akron Dance Institute where she also had the privilege of performing at the Heinz Poll Summer Dance Festival, with the University of Akron Dance Company and with NEOS Dance Theatre. For three summers, Jocelyn trained at the Fort Wayne Ballet Summer Intensive under the direction of Karen Gibbons-Brown and Jeremy Blanton. She graduated from Miller South Middle School for the Visual and Performing Arts in Akron, majoring in both dance and violin and is now a senior at Wadsworth High School, enrolled as a Digital Academy student. She joined Verb Ballets as a trainee for their 2016-2017 season during which she performed works such as Bolero, Peter Pan and in The Nutcracker presented by Ohio Dance Theatre and Verb Ballets. Jocelyn is grateful for the opportunity to dance in her second season as a company trainee with Verb Ballets. 

About Verb Ballets  
Verb Ballets, a contemporary ballet company, presents dynamic programming through bold artistry, unique styles and technical excellence that captivates a broad audience. Under the direction of Dr. Margaret Carlson, Producing Artistic Director and Richard Dickinson, MFA, Associate Director, the company will present a season that ignites passion in the energy, beauty and athleticism of dance. Critics have hailed Verb Ballets as, “Dashes preconceptions …with keen dramatic power.” -The Plain Dealer, “(Verb) is dance magnifique.” – The Examiner, “confident and polished, Verb’s dancers shone” – Dance International Magazine. Verb Ballets cultivates dance appreciation and nurtures wellness through movement in community dance classes, school residencies, senior outreach, library programs, master classes and college course partnerships. Verb Ballets has also been named one of Five Great Tiny Troupes in America by Dance Magazine and was one of the 25 dance companies in America to watch. In 2017 Verb Ballets begins a year long celebration of the 30th Anniversary of the company. As one of the oldest dance organizations in Cleveland we are proud to produce high caliber work and continue to connect with communities across a four county reach.

Verb Ballets 3445 Warrensville Center Rd. Shaker Heights, OH 44122 • 216-397-3757 • www.verbballets.org
Facebook  •  Twitter  • Instagram •  YouTube @verbballets

About Cleveland Public Theatre 
Cleveland Public Theatre’s mission is to raise consciousness and nurture compassion through groundbreaking performance and life-changing education programs. CPT develops new, adventurous work, and nurtures Northeastern Ohio artists — particularly those whose work is inventive, intelligent, and socially conscious. CPT’s acclaimed education programs engage underserved youth and adults in creating new works that speak to contemporary issues, and empower participants to work for positive change in the community. www.cptonline.org 

“K281,” Set to Mozart Piano Sonata as Centerpiece of Upcoming Performance

By News

“K281,” Set to Mozart Piano Sonata as Centerpiece of Upcoming Performance

By Victor Lucas, CoolCleveland, April 25, 2018

"Sometimes he makes the audience laugh with matches that are particularly quirky or witty"

Jill Marlow KrutzkampRepetiteur and original cast member

Photo Susan Bestul

We spent a couple of hours at Verb Ballets’ studio recently, watching rehearsals of Adam Hougland’s K281, a dance set to Mozart’s Piano Sonata No. 3, K281, which will be part of Verb’ upcoming performance at Akron’s E.J. Thomas Hall.

Hoagland originally set K281 on Cincinnati Ballet where it premiered in 2007. Setting K281 on Verb is Jill Marlow Krutzkamp who danced in the original cast. Our visit was early in the rehearsal process, so we set up a phone interview with Krutzkamp to get a more complete idea what to expect of the actual performance.

CoolCleveland: Does the dance use all 14 minutes and all three movements of Mozart’s sonata?

Jill Marlow Krutzkamp: Yes. There are three couples and each couple is the lead for one of the movements with the other couples coming in and out. For the first movement it’s Kate Webb and Nathanael Santiago; for the second movement, the adagio movement, it’s Kelly Korfhage and Antonio Morillo; and for the third movement it’s Lieneke Matte and Michael Escovedo.

CC: Is this dance a music visualization?

JMK: Yes, very much so. Adam is super musical. He often finds a really good way to match the dancers’ movement with the music. Sometimes he makes the audience laugh with matches that are particularly quirky or witty. This dance is very thought out and a lot of effort has gone into making sure that a certain leg movement goes with a particular musical note, something that distinguishes this piece from many others. It makes sense to the audience but during rehearsals we often have to say, “Do you realize you were a count late?”

CC: Any narrative content in this dance?

JMK: Not much, but I think that Adam did want the audience to pick up on the emotional differences between the three couples. The second couple is having trouble — she goes to him and then turns her back — but the first couple is playful and the third couple is comical, like a couple of kids going after each other on the playground.

CC: You were starting to say something more about the music.

JMK: Once I started counting the music I noticed that melodies often repeat with slight variations. For instance, there’s transitional music between the first and the second couples and that same music repeats — with variations — between the second and the third couples. So Adam uses that transitional music to bring the couples in and out.

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Verb Ballets’ ‘Spring Series’ program to feature Adam Hougland ballet

By News

Verb Ballets’ Spring Series’ program to feature Adam Hougland ballet

By Steve Sucato, International Arts Writer/Critic, April 25, 2018

"The biggest challenge with this piece is the partnering and the transitions between couples"

Jill Marlow KrutzkampRepetiteur and original cast member

Photo Susan Bestul

Fresh off a successful tour to Cuba in March, Cleveland’s Verb Ballets travels a bit closer to home to make its debut at the University of Akron’s EJ Thomas Hall this Friday, April 27.

Their Spring Series program will showcase three works from their repertory plus the Northeast, Ohio premiere of Princess Grace Award-winning choreographer Adam Hougland’s ballet “K281”.

Originally created for Cincinnati Ballet in 2007, “K281” takes its name from Mozart’s “Piano Sonata No. 3 in B-flat major, K. 281” that the ballet is set to.  The 14-minute piece for 3 men and 3 women says repetiteur and original cast member, Jill Marlow Krutzkamp is full of quirky contemporary dance movement a la choreographer William Forsythe.

The ballet also assigns each of its 3 couples their own personalities. The first couple says Marlow Krutzkamp, has a fun, free relationship, the second couple’s music is slower and the mood is somber, and the third couple, the music gets faster and they have a funny relationship where the woman moves like a rag doll.

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Guest blog on American Dance Abroad

By News

#Cleveland Havana Ballet

By Guest Blog by Kate Webb Verb Ballets Dancer, American Dance Abroad, April 5, 2018

"What do pointe shoes, dirt, and cafecitos have in common?"

Kate WebbVerb Ballets Dancer

American Dance Abroad Guest Blog by Kate Webb, Verb Ballets Dancer

What do pointe shoes, dirt, and cafecitos have in common? They’re all integral parts of The Cleveland Havana Ballet, which just successfully completed its first edition of international performances in Cuba. The fusion company is comprised of young, passionate artists from Havana-based ProDanza and Cleveland-based Verb Ballets.

After only dancing together for four days, The Cleveland Havana Ballet premiered Yarini, a full-length ballet based on a well-loved Cuban legend, in front of thousands of people. The two-country company followed up four shows of Yarini with three mixed-bill performances featuring repertory highlighting each of the dance troupes’ strengths. Despite the varying styles of the two companies (Verb Ballets is a contemporary ballet company, while ProDanza considers itself strictly classical), it was hard to tell which company the dancers worked for by the end of the packed two-week residency. They wore each other’s ballet skirts, company t-shirts, and began to emulate each other’s dance style. 

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Observe rehearsal with Jill Marlow Krutzkamp

By News

Observe rehearsal with Jill Marlow Kruztkamp

Join Verb Ballets for an exclusive lunch time rehearsal viewing with Jill Marlow Krutzkamp. Jill Marlow Krutzkamp is a Pilates and wellness director, and professional dancer who has been dedicated to dance and the performing arts for more than 27 years. She began her dance career with the Pittsburgh Ballet Theatre then spent nine years with the Cincinnati Ballet and recently retired from the Kansas City Ballet to pursue her passion of helping others with the development of their dancing careers. Jill Marlow Krutzkamp is coming to Verb Ballets April 9-13, 2018 to set Adam Houghland’s K281. Jill Marlow Krutzkamp was one of the original cast members in the ballet commissioned by Cincinnati Ballet in 2007. Don’t miss this exclusive opportunity to be the first to see this work before it appears on stage!

Jill Marlow Kruztkamp

Jill Marlow Krutzkamp began her training at the Draper Center for Dance Education in Rochester, New York, under the direction of Timothy Draper and Jamey Leverett. Additionally, Ms. Marlow Krutzkamp spent time studying at American Ballet Theatre, Boston Ballet and Indiana University. She started out her professional career with Pittsburgh Ballet Theatre, spent nine years with Cincinnati Ballet, and four years with Kansas City Ballet before retiring. Jill has danced leading classical roles in La Bayadere, Giselle, Swan Lake, Sleeping Beauty, Cinderella, and Romeo and Juliet. She has also performed principal roles in Balanchine’s Who Cares?, Serenade, Four Temperaments & Allegro Brilliante, as well as performing Chaconne with Suzanne Farrell Ballet at the John F. Kennedy Center for the Performing Arts. Jill’s most favorite contemporary roles have included works by notable choreographers including Twyla Tharp, Ma Cong, Luca Vegetti, Jody Gates, Anthony Krutzkamp, Devon Carney, Adam Hougland, and Mauricio Wainrot.

Jill graduated from the University of Cincinnati with a Bachelors of Science in Health Education (2011) and is the founder/author of her blog titled, dancehealthier. Jill retired from Kansas City Ballet and currently is the Pilates and Wellness Director for Performance Rehab, specializing in dancer prevention and post recovery of injuries, but not limited to. Jill is married to co-artistic director of KCDF, Anthony Krutzkamp. Both Jill and Anthony are proud parents of their daughter, Abrielle Jane Krutzkamp, who recently turned 1 year old on June 11th.

Spring Series showcases dynamic range of Verb Ballet

By Press Releases

CLEVELAND, OH – Verb Ballets, Northeast Ohio’s premiere contemporary ballet company, to showcase at EJ Thomas Hall on April 27, 2018 with an exciting mix of dances on the program. The company has received international recognition and recently returned from a prestigious tour of Cuba. Known for its innovative works that highlight the classically trained dancers, the company has captured the attention of audiences for over 30 years. The evening features company debut of K281 by internationally acclaimed choreographer Adam Hougland. Hougland is recognized for his melding of modern and classical movement form. City Beat reviewed K281 as, “Adam Hougland filled the space with rich, intricate choreography.” K281 was originally set on Cincinnati Ballet in 2007 and feature three couples with women on pointe gliding around their partners. Hougland graduated from The Juilliard School and performed with The Limon Dance Company, Toronto Dance Theatre and The Lar Lubovitch Dance Company. He has created original works for renowned companies including Morphoses/The Wheeldon Company, The American Ballet Theatre Studio Company, Introdans in the Netherlands, The Limon Dance Company, The Washington Ballet, and Ballet X. Hougland is the winner of the Princess Grace Award for Choreography and was one of Dance Magazine‘s “25 to Watch” for 2011.

Verb audience favorite, Dark Matter, returns to the stage. Choreographer, Tommie-Waheed Evans, was recently named by ArtsBoston as one of the nation’s top ten contemporary Black choreographers. His intensely driven physical work was complemented by the stage design providing a breathtaking visual effect by lighting designer Trad A Burns. Evans was a former dancer with PHILADANCO! and Complexions Contemporary Ballet before starting his own company Waheed Works in 2006. He received the 2017 Philadelphia Tribune’s “10 under 40” Honoree Award and was selected nationally as an emerging leader by Dance/USA. The Dance Journal labeled his work as, “vocabulary (that) is deeply rooted in a classical ballet aesthetic blended with modern sensibilities and jazz influences.”

Audiences can’t resist when ballet meets ballroom in Eight by Benny Goodman set to the famous orchestral music of the 1940s choreographed by Ohio Ballet Founder, Heinz Poll. The work was critically acclaimed by The New York Times. Poll was awarded the Association of Ohio Dance Companies Award in 1983, the Cleveland Arts Prize in 1995 and the Ohio Arts Council’s Governor’s Award in 1999. This classic returns to the stage with style and grace to maintain Poll’s artistic legacy by registrar and Verb Ballets’ Associate Director, Richard Dickinson, MFA. Verb Ballets is the largest local repository of Poll’s choreographic works. Dickinson danced with Ohio Ballet under Poll’s direction and eventually served as Poll’s ballet master.

This performance is supported by the generosity of The Peg’s Foundation and The Akron Community Foundation. Verb Ballets’ performance on April 27, 2018 at 8:00pm is at EJ Thomas Hall located at 198 Hill Street in Akron. Single tickets are $17-$35. Student ticket discount available. Tickets can be purchased by calling the EJ Thomas Box Office at 330-972-7570 or online at details www.verbballets.org. For more information, visit www.verbballets.org.

April 27, 2018 8:00PM
Spring Series
EJ Thomas Hall 198 Hill St., Akron, OH 44325
Tickets: $17-$35 Student discount available

Photos or interviews available upon request by contacting  
Jennifer Garlando, Director of Marketing & PR at jgarlando@verbballets.org.  

Choreographers

Adam Hougland
Adam grew up in Dallas, Texas and studied visual arts and acting from an early age. At 14 he began his dance training at the Dallas Conservatory of Ballet and the Booker T. Washington High School for the Performing and Visual Arts. In 1999 he received his Bachelor of Fine Arts degree in Dance from The Juilliard School and then went on to perform with The Limon Dance Company, Toronto Dance Theatre and The Lar Lubovitch Dance Company. While at Juilliard Adam choreographed his first group dance, Beyond, which won the Hector Zaraspe Prize for Choreography. This piece set his choreographic career in motion and was quickly taken into the repertoires of Les Grands Ballets Canadiens de Montréal, Cincinnati Ballet, Ballet Met Columbus and The Louisville Ballet. Adam has gone on to create original works for Morphoses/The Wheeldon Company, The American Ballet Theatre Studio Company, Introdans in the Netherlands, The Limon Dance Company, Cedar Lake Ensemble, The Washington Ballet, Ballet Memphis, Ballet X and The New York Choreographic Institute at New York CIty Ballet. He has created works for internationally recognized dancers such as Sofiane Sylve (San Francisco Ballet), Marcelo Gomes (American Ballet Theater) and Wendy Whelan. In 2006 he created a world premiere for Juilliard’s Centennial Celebration that toured to Chicago and Los Angeles and was broadcast on the PBS ‘Live from Lincoln Center’ series. He has won The Princess Grace Award for Choreography, The Choo-San Goh Award for Choreography, was one of Pointe Magazines’ 10 VIP’s of 2006 and one Dance Magazine’s 25 to watch for 2011. Adam is the Principle Choreographer for The Louisville Ballet and has created nine critically acclaimed original works for the company including Petrouchka and Rite of Spring with special guest artist Wendy Whelan. He is Resident Choreographer for Cincinnati Ballet where he has created an evening-length Mozart’s Requiem and The Firebird. Adam lives in Bristol, England with his husband Ashley and their dog Liza.

Heinz Poll
Heinz Poll was born in Oberhausen, Germany, in 1926. Poll was a champion ice skater before he became a dancer. His experience on the rinks imbued him with a love of speed that he expressed in his athletic baroque ballet, Cascade (1985). After World War II, he studied dance at Joss’s Folkwang School in Essen, began his professional career at the Municipal Theatre in Goettingen and became a principal dancer with the Berlin State Opera Ballet. In 1951, he joined the National Ballet of Chile as a dancer, ballet master, and teacher. The company’s tradition of bringing serious programs to indigenous people in remote mountain villages served as the model for Ohio Ballet’s Summer Festival of free outdoor performances. In 1962, Poll joined Ballet de Jeunesse Musicales de France as ballet master. Two years later, he came to the United States as a guest artist with the Chilean company. He performed in the American Dance Festival the following summer and stayed in New York to teach at Thalia Mara’s National Academy of Ballet. In Akron, he developed Ohio Ballet into one of America’s most polished, respected, and widely traveled chamber dance troupes. Poll was awarded the Association of Ohio Dance Companies Award in 1983, the Cleveland Arts Prize in 1995, and the Ohio Arts Council’s Governor’s Award in 1999. After his retirement, he wrote his memoir and has conferred a number of his ballets to former Ohio Ballet dancers. Poll passed away in 2006.

Tommie-Waheed Evans
Tommie-Waheed Evans began his formal training with Michelle Blossom at the Dance Connection in Los Angeles California. He continued his studies under the mentorship of Andrea Calomee and Karen McDonald at Hamilton High School before receiving a fellowship at the Ailey School. As a student, Evans performed the work of Matthew Rushing, Benoit-Swan Pouffer, Karol Armitage, and Debbie Allen. He was an assistant to current artistic director of Ailey II, Troy Powell. Evans professional appearances include the popular sitcom “The Parkers”, the Emmy Awards, HopeBoykinDance, Radio City Christmas Spectacular, Lula Washington Dance Theater, the Philadelphia Dance Company (Philadanco) and Complexions Contemporary Ballet. In 2006 he founded his company, Waheed-Works. Evans has set choreography on The Garden State Dance Festival, Philadelphia Dance Boom Festival, Grace Dance Theater, Verb Ballets, Eleone Dance Theatre, and Boston Conservatory. Evans is the Artist-in-Residence at PHILADANCO! and is currently on faculty at the University of the Arts. His awards include a Dance/USA Philadelphia Rocky Award, Billy Penn: Who Next Arts, Howard Gillman Foundation Fellowship Winner, and a BalletX 2017 Ballet Choreographic Fellowship. Evans recently received his Master of Fine Arts in Choreography from Jacksonville University.

About Verb Ballets  
Verb Ballets, a contemporary ballet company, presents dynamic programming through bold artistry, unique styles and technical excellence that captivates a broad audience. Under the direction of Dr. Margaret Carlson, Producing Artistic Director and Richard Dickinson, MFA, Associate Director, the company will present a season that ignites passion in the energy, beauty and athleticism of dance. Critics have hailed Verb Ballets as, “Dashes preconceptions …with keen dramatic power.” -The Plain Dealer, “(Verb) is dance magnifique.” – The Examiner, “confident and polished, Verb’s dancers shone” – Dance International Magazine. Verb Ballets cultivates dance appreciation and nurtures wellness through movement in community dance classes, school residencies, senior outreach, library programs, master classes and college course partnerships. Verb Ballets has also been named one of Five Great Tiny Troupes in America by Dance Magazine and was one of the 25 dance companies in America to watch. In 2017 Verb Ballets begins a year long celebration of the 30th Anniversary of the company. As one of the oldest dance organizations in Cleveland we are proud to produce high caliber work and continue to connect with communities across a four county reach. Additional information can be found at www.verbballets.org.

Verb Ballets 3445 Warrensville Center Rd. Shaker Heights, OH 44122 • 216-397-3757 • www.verbballets.org
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Ballet UpClose Luncheon

By Performances

Ballet UpClose Luncheon

April 13, 2018 12:00pm

Verb Ballets Studio

Join Verb Ballets for an exclusive lunch time rehearsal viewing with Jill Marlow Krutzkamp. Jill Marlow Krutzkamp is a Pilates and wellness director, and professional dancer who has been dedicated to dance and the performing arts for more than 27 years. She began her dance career with the Pittsburgh Ballet Theatre then spent nine years with the Cincinnati Ballet and recently retired from the Kansas City Ballet to pursue her passion of helping others with the development of their dancing careers. Jill Marlow Krutzkamp is coming to Verb Ballets April 9-13, 2018 to set Adam Houghland’s K281. Jill Marlow Krutzkamp was one of the original cast members in the ballet commissioned by Cincinnati Ballet in 2007. Don’t miss this exclusive opportunity to be the first to see this work before it appears on stage! Ballet UpClose includes rehearsal preview and light lunch. Doors open at 11:45pm and viewing begins at noon.

Ballet UpClose Series
September 22, 2017 l January 26, 2018 l March 2, 2018 l April 13, 2018 l June 22, 2018

SHOW DETAILS

April 13, 2018 12:00pm

THEATRE

Verb Ballets Studio
3445 Warrensville Center Rd.
Shaker Heights, OH 44221

TICKETS

$17 Adults
Includes a light lunch

Get tickets for Ballet UpClose

Verb Ballets Studio

Verb Ballets Studio
3445 Warrensville Center Rd.
Shaker Heights, OH 44221

The studio is located at in the same building as Christ Episcopal Church. Please use rear entrance by Verb banner on left hand side of building. Free parking available.