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Ohio Contemporary Ballet

The Big “Yarini”—3/9 part 2 PSA~this gets a little mushy

By Cuba
It happened! The big show for the Verbers happened! None of us fell or missed entrances or had any close calls on stage (some of us are beginning to notice some digestive effects of Cuban bacteria), so that’s great news!🙌 Antonio played the title role of Yarini and danced the best I have ever seen him do the role. Christina was stunning as “Petit Berthe” and Michael was a technical force in his role as “Letot”. There were definitely some moments that I wish could have gone better for my performance of “Dame del Velo”, but overall I was happy with how things went given all of the changes. I couldn’t see much of Lieneke’s performance of a Prostitute, Natha’s performance in the “Burguesía” scene, Omar’s performance of the Policeman, Kelly’s performance as a Can-Can girl or Lexy’s performance as the “Nana”, but everything I did catch was well executed oozed with character.

Being a dancer is difficult in the sense that we are taught from the start of our training to be highly self-critical. Most successful dancers are the ones who are very tough on themselves because they strive to be better all the time. Unfortunately, it is rare to have an exceptional performance, so it is important to learn how to balance those critical thoughts with an understanding of your overall worth. I wish that I could say that I did the best I had ever done in that show, but that wouldn’t be true (at least from a technical standpoint). What is true is that I tried my absolute best and still had a meaningful impact on the storyline without any technical disasters and still some moments of technical success.

I am incredibly grateful to have had the opportunity to be coached by and perform this role for Laura Alonso (and her son Ivan, the choreographer). The Cuban style demands a powerful story, but also values virtuoso. This process taught me to push myself to try technical feats that I considered myself incapable of previously and showed me how much I could grow from working in that direction. It reminds me of one of my favorite quotes from “Mary Poppins” the musical, “If you reach for the stars all you get are the stars, but we’ve got a whole new spin: If you reach for the heavens, you get the stars thrown in!” Not every performance will be heavenly per se, but most will be sparkling with a lot more stars from setting your sights high.
All of the Verb dancers are still pinching ourselves that tonight just happened. You never know what is going to come your way in life if you keep pushing for what you love. I am thankful for every day I can do that!
☺Kate

This is where I am—3/9 part 1

By Cuba
Usually on nights before a big show I can hardly sleep. All of the parts I could forget or mess up invade my mind so I can’t shut it off. But strangley since I have been in Havana, I have been able to sleep peacefully. Maybe it’s the calm breeze that sweeps into our room throughout the night? Or the fact that my reality already feels dreamlike? Either way, I had a great night of sleep and woke up feeling calm and ready to take on this big show this evening. I visualized everything I will have to do tonight as “The Lady in White” from the overture through bows. I know what I have to do tonight and I am ready to have the opportunity to make it happen. Wish me and the other Verbers performing tonight luck!🙏
P.s. Here are some pics from a morning walk I took:

Opening Night—3/8

By Cuba
Well that just happened! My cast didn’t even dance tonight but I am still super excited because of how smoothly the production went given all of the last minute changes and variables. How cool is it to be a part of a company that can come together and pull something this massive off in such turbulent conditions? I work with a bunch of problem solvers👌Great dancing Cleveland Havana Ballet!
I also had a really nice day leading up to the show. It started with the consistently delicious made-to-order breakfast prepared by Yunia, the other “Casa Particular” hostess where the majority of the company is staying. Guayaba, papaya, and pineapple, oh my! Throw in some freshly squeezed watermelon juice, a banana mango smoothie, yogurt, eggs, sautéed veggies and Cuban coffee and I am in heaven every morning by 9am🙌
 Since my cast didn’t perform today, I decided to use the free time to take a long walk. Adventuring in new places is absolutely one of my favorite things☺ And adventure I did! I ended up seeing monuments, walking along the Malecón (one of Cuba’s most famous walls that lines the ocean along its northern coast), going with Lieneke to an authentic Cigar house accompanied by a kind neighbor of our Casa Particular, and visiting El Museo del Revolución. I feel much better acquainted with Cuban culture after learning about historical events from their perspective. What persevering and spirited people!
Today also happened to be “La Día de la Mujer” or “Women’s Day”. I saw women with flowers and sweet treats all over Havana and received lots of felicitaciones and flowers of my own🌸 I loved that women are treated with such respect here (and according to exhibits I saw in the Museum of the Revolution, Cuba has a strong history of equality among the sexes)!
And now it’s time for me to try to get some rest before my cast performs tomorrow. I can hardly wait!
💕Kate

Getting Principaled—3/7

By Cuba
In this alternate Cuban universe I have to be a principal dancer. That’s right, folks, lil ol’ Kate Webb who is a normal 24 year old living in a standard apartment in mid-sized Cleveland Ohio has to lead a 3 minute bow in front of thousands of people on the same stage that ballet legends like Nureyev, Baryshnikov, and Alonso herself have graced. ‘Scuse my language, buttttt WTF?
When Laura Alonso told me I would have to get my makeup done by the theater’s makeup master on the night that my cast performed, I couldn’t help but scoff. Who the heck am I to have a makeup master do my face? Who the heck am I to be called a “principal”, especially with all of these incredibly talented Cuban dancers surrounding me? Who the heck am I to even have the opportunity to come to Cuba in the first place?
The answer is hard to me to swallow, but the only answer can be: I am Kate Webb, a principal dancer performing at the Gran Teatro de La Habana Alicia Alonso with some dang good stage makeup. Period. Still very humble, yet prepared to own the title that somehow ended up in my possession.
So, with this new mindset I took on my dress rehearsal today. Of course there were plenty of things that I wish could have gone better (particularly one balance that I am supposed to hold for over 12 seconds on pointe…I think I might have gotten a solid 2.5😒) but I was able to look out into the house today without losing my breath from fear. It fact, at times I felt my body filling up with an overwhelmingly intimate and powerful energy—that rare raw buzz that comes from becoming vulnerable in front of countless strangers and trusting that they, and your fellow performers, will stay with you. And while I learned a lot from little missteps here and there, I also did a few specific things well (and felt incredibly alive during the process). So I am giving myself credit for those successes too✔
That being said, I was I was happy that we wen’t to a Cuban buffet tonight so I could fully immerse my newly anointed principal Cuban ballerina self with lots of delicious Cuban food. Still haven’t gotten tired of the stewed black beans yet. Soooo yummy!😋
Adiós!
Kate

No time to think—3/6

By Cuba
*PSA I am writing this blog on very limited time and no wifi or word processor access, so I’m sorry that this blog is essentially unedited! If anyone is looking for an editing position (I will pay you in Cuban Cigars) let me know😉*
I walked into the Gran Teatro de La Habana Alicia Alonso today and actually lost my breath.
Holy shoot. Like the holiest of shoots. The Alicia Alonso is the most brilliant theater I have ever seen, much less danced on. And I have to do a leading role for a part I just learned 2 weeks ago, then had to relearn in 2 days, on that stage this coming Friday (next to incredible Cuban dancers)! 🤭 If it weren’t for the fact that I hardly have any time to think, I would probably be in complete panic mode. Luckily, our schedule makes it so that we are always doing something (often multiple things at once) without any certainty of what is coming next, so it keeps us in the present moment. Ommmmmmmm🙏
My cast didn’t have the chance to do their costume tech run in the theater today, so after studio rehearsal at the ProDanza studios this morning I did a lot of learning through observing in the theater. Who knew how many moving parts could be in one show? And on top of that, the amount of variables that can affect all of those moving parts? I was nervous simply from watching. Several moments turned out to be extremely chaotic, yes, but one of the main draws I have to my day job is the constant excitement that comes with it. There is never a dull day as a dancer!
Slight subject change—It’s also surreal how authentically Cuban this experience has been. Between getting the majority of my corrections in Spanish, seeing the marquee signs for the majestic Alicia Alonso theater handwritten with marker (it’s harder to come by printer ink here), watching dressers haul around massive wooden costume trunks instead of plastic dress bags, and riding the perpetually-on-the-verge-of-breaking-down school bus to the beat of Cuban music around Havana (with the ProDanza dancers showing off their best dance party moves), I can’t help feeling like I have stepped onto a movie set. The lack of Americanization of Cuba is vastly more noticeable than any other country I have ever traveled to. It’s actually quite refreshing, but also hard to fully comprehend. Right now, I find it to be an invigorating energy for me.
…More thoughts to be continued mañana because, like the title suggests, I really have no time to think and need to get some sleep before another 3 runs of “Yarini” in the theater tomorrow!
Ciao!
🙂 Kate
P.S. Even though “ciao” is Italian, Cubans use it frequently and I happen to think it’s a cute way to say goodbye. So ciao ciao ciao!👋

Havana Nights Gala in honor of Verb Ballets return from Cuba

By Press Releases
CLEVELAND, OH – Verb Ballets announces Havana Nights Gala to be held on Friday, April 20, 2018 at the beautifully restored The Ballroom at Park Lane in University Circle. Guest are invited to celebrate the company’s return from Cuba after the international debut of the Cleveland Havana Ballet in collaboration with ProDanza. The 2018 Gala is chaired by Nadia and Thomas Wearsch with Co-Chairs Leslie Davidson and Leslie Kaufman. Internationally acclaimed Verb Ballets will perform excerpts from Yarini: The Prince of Old Havana -a ballet never seen outside of Cuba! The ballet highlights passion, power and struggles for freedoms that are the essence of the Cuban spirit.
The evening will feature the music of the Sammy DeLeon Orchestra. Sammy DeLeon is a well-recognized fixture in the Ohio Latin jazz scene whom has gained popularity for his danceable groove-oriented music in the styles of Latin jazz, salsa, and merengue. DeLeon’s performance credits include performances with El Gran Combo, Tito Rojas, and Tony Vega. DeLeon has performed in New York, Chicago, Miami, and San Juan, Puerto Rico, as well as locally, and has opened for Tito Puente, whose praise he earned. He also fronts his own orchestra which features four vocalists, a trumpeter, saxophonist, pianist, bassist, and three percussion players.
Dancing the night away after a delicious dinner prepared by Driftwood Catering. Driftwood Catering redefines catering by preparing local and seasonal foods food fresh. Driftwood Catering is led by consulting chef and president Chris Hodgson. Hodgsonis a graduate of Le Cordon Bleu and was featured on Food Network’s: Food Network Star and 2014 FOOD AND WINE’s People’s Best New Chef for the Great Lakes Region.
The elegant affair is at The Ballroom at Park Lane which has been beautifully restored to its Beaux Arts grandeur. The Ballroom blends the old world and the new to create something truly timeless- just like the collaboration between Verb Ballets and ProDanza. The evening will also feature a delightful array of silent auction items and wine pull.
The annual Spring Gala directly supports the company’s operations, performances and outreach programs. Verb Ballets is one of the oldest professional dance companies in the region. The company has received international acclaim and is a true gem in Northeast Ohio! In addition to performing for over 15,000 people in Northeast Ohio last year, the company reached over 41,000 through education and outreach efforts.
Havana Nights is a benefit for Verb Ballets on Friday, April 20, 2018 from 7:00-11:00pm at The Ballroom at Park Lane located at 10510 Park Lane, Cleveland, OH 44106. Tickets start at $150. Reservations are required and can be made by visiting www.verbballets.org/havananights.
For information, tables, tickets, or sponsorship go to www.verbballets.org/havananights 
 
Photos or interviews available upon request by contacting  
Jennifer Garlando, Director of Marketing & PR at jgarlando@verbballets.org.  

 

About Verb Ballets  
Verb Ballets, a contemporary ballet company, presents dynamic programming through bold artistry, unique styles and technical excellence that captivates a broad audience. Under the direction of Dr. Margaret Carlson, Producing Artistic Director and Richard Dickinson, MFA, Associate Director, the company will present a season that ignites passion in the energy, beauty and athleticism of dance. Critics have hailed Verb Ballets as, “Dashes preconceptions …with keen dramatic power.” -The Plain Dealer, “(Verb) is dance magnifique.” – The Examiner, “confident and polished, Verb’s dancers shone” – Dance International Magazine. Verb Ballets cultivates dance appreciation and nurtures wellness through movement in community dance classes, school residencies, senior outreach, library programs, master classes and college course partnerships. Verb Ballets has also been named one of Five Great Tiny Troupes in America by Dance Magazine and was one of the 25 dance companies in America to watch. In 2017 Verb Ballets begins a year long celebration of the 30th Anniversary of the company. As one of the oldest dance organizations in Cleveland we are proud to produce high caliber work and continue to connect with communities across a four county reach. Additional information can be found at www.verbballets.org.

Verb Ballets 3445 Warrensville Center Rd. Shaker Heights, OH 44122 • 216-397-3757 • www.verbballets.org
Facebook  •  Twitter  • Instagram •  YouTube @verbballets

 

Verb Ballets lands in Cuba

By Cuba, News

Verb Ballets lands in Cuba, begins launch of Cleveland Havana Ballet

By Zachary Lewis, The Plain Dealer , March 6, 2018

"I still can't believe it's really happening,"
said Verb dancer Kate Webb, at a rehearsal last week. "It means we're a part of history, something bigger than ourselves."

Kate WebbVerb dancer

Photo Bill Naiman

CLEVELAND, Ohio – A project bringing together dancers from Cleveland and Cuba is now actively in motion.

On Saturday, members of Cleveland’s Verb Ballets departed for Havana, where they will spend time soaking up the culture and performing with Cuba’s ProDanza under the name Cleveland Havana Ballet.

“I still can’t believe it’s really happening,” said Verb dancer Kate Webb, at a rehearsal last week. “It means we’re a part of history, something bigger than ourselves.”

The centerpiece of the collaboration, announced in December, is “Yarini,” a new ballet by Ivan Alonso, grandson of Alicia Alonso, founder of the world-renowned Ballet Nacional de Cuba.

Continue Reading...

Baila Juntos

By Performances, Cuba

Baila Juntos

March 16-18, 2018

The National Theatre

Presented as The Cleveland Havana Ballet, the Verb Ballets and ProDanza will perform shared repertory program highlighting the unique styles of American and Cuban ballet at The National Theatre in Havana, Cuba. Baila juntos or Dance together is the symbolic of this groundbreaking international collaboration.  Cuban ballet has been at the pinnacle of international dance for years and Cuba continues to produce some of the ballet world’s best dancers. Bringing Verb Ballets to Cuba for the first time is an enormous cultural exchange and will integrate American dancers to the very best of Cuba’s ballet scene. Verb Ballets will showcase works by American choreographers to highlight the unique melt of classical technic with modern movement.

SHOW DETAILS

March 16-18, 2018

THEATRE

National Theatre of Cuba,
Paseo y 39
Plaza de la Revolución, La Habana, Cuba

This international collaboration is support by

ProDanza and Verb Ballets will join forces in an international collaboration to form the Cleveland Havana Ballet. Starring the dancers of Verb Ballets of the United States led by Dr. Margaret Carlson, and Havana’s ProDanza under the direction Laura Alonso, this cultural exchange is a groundbreaking partnership supported through the Cleveland Foundation’s Creative Fusion initiative. This significant collaboration will encompass performances in Cuba by the combined companies in March 2018. Bringing Verb Ballets to Cuba for the first time is an enormous cultural exchange and will integrate American dancers to the very best of Cuba’s ballet scene.

Verb Ballets

Verb Ballets is a contemporary ballet company that presents dynamic programming through bold artistry, unique styles and technical excellence that captivates a broad audience. For the past 30 years the company has fostered dance appreciation and nurtured wellness through movement in outreach and education programs. Verb Ballets has also been named one of Five Great Tiny Troupes in America by Dance Magazine and was one of the 25 dance companies in America to watch.

ProDanza

ProDanza Center in Havana, Cuba was founded by world renown dancer and teacher, Laura Alonso. The technique of the prestigious Cuban school of ballet is an offshoot of the specialized teaching department of the Ballet Nacional de Cuba. The company founded in 1995, presented annually more than one hundred functions in three theaters. The company has traveled to Mexico, Argentina, Peru, Brazil, Guadeloupe and Jamaica. The full repertoire of ballets the company includes: The Nutcracker, Coppelia, Don Quixote, The Corsair, The Swan Lake, La Bayadere, La Fille Mal Gardee, La Sylphide, The Three Musketeers, Dracula, Le Chevalier de Saint-Georges Yarini, as well as programs Pas de deux concerts with classical and original works by contemporary choreographers.

Yarini

By Performances, Cuba
 

Yarini

March 8-11, 2018 Havana, Cuba

Yarini

March 8-11, 2018

Alicia Alonso Grande Theatre

Presented as The Cleveland Havana Ballet, the Verb Ballets and ProDanza will perform the full length classical ballet, Yarini running March 8-11, 2018 in Alicia Alonso Grand Theater in Havana. The ballet is by international dancer and choreographer, Iván Alonso, the son of Laura Alonso. Yarini is based on a historical hero who reached mythical proportions within popular Cuban culture and imagination. The ballet centers around Alberto Yarini, known as the Prince of Old Havana, Louis Lotot, Yarini’s notorious rival, and the women they loved. The ballet is set in Havana during the Cuban War of Independence against Spain; during Yarini’s rise to power that led to his inevitable tragic death in 1910. The battle highlights passion, power and struggles for freedoms that are the essence of the Cuban spirit.

SHOW DETAILS

March 8-11, 2018

THEATRE

The Gran Teatro de La Habana Alicia Alonso
458 Paseo de Martí
La Habana 10600, Cuba

PROGRAM

I ACT (1st scene) The Lady of the Veil, in search of Yarini, arrives at San Isidro, a zone of tolerance of the time, where prostitution was practiced. House # 60 was administered by Yarini, where the Lady of the Veil decides to wait for it. La Petite Berthe, the French prostitute with the greatest clientele, was envied by the others and Letot’s favorite, head of the French Cholos (Apaches), adversaries of the Cuban Chulos (Guayabitos). As every year Letot goes to Paris to renew his merchandise, while the Lady of the Veil causes the union of Yarini and Berthe increasing more the hatred between Guayabitos and Apaches.

I ACT (2nd scene) In the Cosmopolitan restaurant, where high society used to be, Yarini’s antiracial character manifests itself by beating the American business representative who mocked a hero of our independence struggles.

II ACT (1st scene) In the square, near the port of Havana, Yarini waits for Letot to tell him that Berthe has a new owner, Letot faithful to his saying – live for women and not die for them – shows him his new acquisition, Yarini in a show of machismo unleashes the wrath of the Apaches who pressure Letot to plan his death.

II ACT (2nd scene) Night falls and the hard day begins for women who exchange pleasure for money, but the Petite Berthe does not feel well and when she says goodbye to Yarini, she has the impression that something bad is going to happen. The Apaches arrived to make their plan, everything seemed perfect but Letot could never imagine that killing the man, created a Myth.

This international collaboration is support by

ProDanza and Verb Ballets will join forces in an international collaboration to form the Cleveland Havana Ballet. Starring the dancers of Verb Ballets of the United States led by Dr. Margaret Carlson, and Havana’s ProDanza under the direction Laura Alonso, this cultural exchange is a groundbreaking partnership supported through the Cleveland Foundation’s Creative Fusion initiative. This significant collaboration will encompass performances in Cuba by the combined companies in March 2018. Bringing Verb Ballets to Cuba for the first time is an enormous cultural exchange and will integrate American dancers to the very best of Cuba’s ballet scene.

Choreographer

Iván Alonso

He began his studies in Classical Dance in 1967 at the National School of Art (ENA), where he graduated in 1975 as a teacher dancer. From there he joined the National Ballet of Cuba reaching the soloist level. He was part of the Young Guard of which he is founder. In 1998 he was awarded the main teaching category of Adjunct Assistant of the Higher Institute of Art. He was appointed choreographer by the Evaluation Committee whose president is Alicia Alonso. He currently serves as Ballet Master and Choreographer of ProDanza the Center for the Promotion of Dance.