”"I still can't believe it's really happening,"
Kate WebbVerb dancer
said Verb dancer Kate Webb, at a rehearsal last week. "It means we're a part of history, something bigger than ourselves."
Photo Bill Naiman
CLEVELAND, Ohio – A project bringing together dancers from Cleveland and Cuba is now actively in motion.
On Saturday, members of Cleveland’s Verb Ballets departed for Havana, where they will spend time soaking up the culture and performing with Cuba’s ProDanza under the name Cleveland Havana Ballet.
“I still can’t believe it’s really happening,” said Verb dancer Kate Webb, at a rehearsal last week. “It means we’re a part of history, something bigger than ourselves.”
The centerpiece of the collaboration, announced in December, is “Yarini,” a new ballet by Ivan Alonso, grandson of Alicia Alonso, founder of the world-renowned Ballet Nacional de Cuba.
Presented as The Cleveland Havana Ballet, the Verb Ballets and ProDanza will perform shared repertory program highlighting the unique styles of American and Cuban ballet at The National Theatre in Havana, Cuba. Baila juntos or Dance together is the symbolic of this groundbreaking international collaboration. Cuban ballet has been at the pinnacle of international dance for years and Cuba continues to produce some of the ballet world’s best dancers. Bringing Verb Ballets to Cuba for the first time is an enormous cultural exchange and will integrate American dancers to the very best of Cuba’s ballet scene. Verb Ballets will showcase works by American choreographers to highlight the unique melt of classical technic with modern movement.
National Theatre of Cuba,
Paseo y 39
Plaza de la Revolución, La Habana, Cuba
ProDanza and Verb Ballets will join forces in an international collaboration to form the Cleveland Havana Ballet. Starring the dancers of Verb Ballets of the United States led by Dr. Margaret Carlson, and Havana’s ProDanza under the direction Laura Alonso, this cultural exchange is a groundbreaking partnership supported through the Cleveland Foundation’s Creative Fusion initiative. This significant collaboration will encompass performances in Cuba by the combined companies in March 2018. Bringing Verb Ballets to Cuba for the first time is an enormous cultural exchange and will integrate American dancers to the very best of Cuba’s ballet scene.
Verb Ballets is a contemporary ballet company that presents dynamic programming through bold artistry, unique styles and technical excellence that captivates a broad audience. For the past 30 years the company has fostered dance appreciation and nurtured wellness through movement in outreach and education programs. Verb Ballets has also been named one of Five Great Tiny Troupes in America by Dance Magazine and was one of the 25 dance companies in America to watch.
ProDanza Center in Havana, Cuba was founded by world renown dancer and teacher, Laura Alonso. The technique of the prestigious Cuban school of ballet is an offshoot of the specialized teaching department of the Ballet Nacional de Cuba. The company founded in 1995, presented annually more than one hundred functions in three theaters. The company has traveled to Mexico, Argentina, Peru, Brazil, Guadeloupe and Jamaica. The full repertoire of ballets the company includes: The Nutcracker, Coppelia, Don Quixote, The Corsair, The Swan Lake, La Bayadere, La Fille Mal Gardee, La Sylphide, The Three Musketeers, Dracula, Le Chevalier de Saint-Georges Yarini, as well as programs Pas de deux concerts with classical and original works by contemporary choreographers.
Presented as The Cleveland Havana Ballet, the Verb Ballets and ProDanza will perform the full length classical ballet, Yarini running March 8-11, 2018 in Alicia Alonso Grand Theater in Havana. The ballet is by international dancer and choreographer, Iván Alonso, the son of Laura Alonso. Yarini is based on a historical hero who reached mythical proportions within popular Cuban culture and imagination. The ballet centers around Alberto Yarini, known as the Prince of Old Havana, Louis Lotot, Yarini’s notorious rival, and the women they loved. The ballet is set in Havana during the Cuban War of Independence against Spain; during Yarini’s rise to power that led to his inevitable tragic death in 1910. The battle highlights passion, power and struggles for freedoms that are the essence of the Cuban spirit.
The Gran Teatro de La Habana Alicia Alonso
458 Paseo de Martí
La Habana 10600, Cuba
I ACT (1st scene) The Lady of the Veil, in search of Yarini, arrives at San Isidro, a zone of tolerance of the time, where prostitution was practiced. House # 60 was administered by Yarini, where the Lady of the Veil decides to wait for it. La Petite Berthe, the French prostitute with the greatest clientele, was envied by the others and Letot’s favorite, head of the French Cholos (Apaches), adversaries of the Cuban Chulos (Guayabitos). As every year Letot goes to Paris to renew his merchandise, while the Lady of the Veil causes the union of Yarini and Berthe increasing more the hatred between Guayabitos and Apaches.
I ACT (2nd scene) In the Cosmopolitan restaurant, where high society used to be, Yarini’s antiracial character manifests itself by beating the American business representative who mocked a hero of our independence struggles.
II ACT (1st scene) In the square, near the port of Havana, Yarini waits for Letot to tell him that Berthe has a new owner, Letot faithful to his saying – live for women and not die for them – shows him his new acquisition, Yarini in a show of machismo unleashes the wrath of the Apaches who pressure Letot to plan his death.
II ACT (2nd scene) Night falls and the hard day begins for women who exchange pleasure for money, but the Petite Berthe does not feel well and when she says goodbye to Yarini, she has the impression that something bad is going to happen. The Apaches arrived to make their plan, everything seemed perfect but Letot could never imagine that killing the man, created a Myth.
ProDanza and Verb Ballets will join forces in an international collaboration to form the Cleveland Havana Ballet. Starring the dancers of Verb Ballets of the United States led by Dr. Margaret Carlson, and Havana’s ProDanza under the direction Laura Alonso, this cultural exchange is a groundbreaking partnership supported through the Cleveland Foundation’s Creative Fusion initiative. This significant collaboration will encompass performances in Cuba by the combined companies in March 2018. Bringing Verb Ballets to Cuba for the first time is an enormous cultural exchange and will integrate American dancers to the very best of Cuba’s ballet scene.
He began his studies in Classical Dance in 1967 at the National School of Art (ENA), where he graduated in 1975 as a teacher dancer. From there he joined the National Ballet of Cuba reaching the soloist level. He was part of the Young Guard of which he is founder. In 1998 he was awarded the main teaching category of Adjunct Assistant of the Higher Institute of Art. He was appointed choreographer by the Evaluation Committee whose president is Alicia Alonso. He currently serves as Ballet Master and Choreographer of ProDanza the Center for the Promotion of Dance.
We are getting down and dirty in our pointe shoes. Like my pointe shoes are literally covered in dirt. The Prodanza studios where we have been rehearsing are breathtaking because they all center around an open courtyard. However, that life giving contact with the outdoors consequently gives lots of dirt and dust that end up on the studio floor and on our shoes when we run from studio to studio. My ballet slippers have gotten a huge hole just from the two days we’ve been here and my pointe shoes are looking less pink and more brown all the time. But hey, at least we are getting good work done!
Like I said, the process of putting Yarini together became exponentially more difficult when we realized that the two companies had learned the ballet off of two different DVD versions. After we got home from dinner last night, all of us Verbers spent about 2 hours last night studying the new DVD. We made a lot of progress today, but we still have a lot of work to do before opening night Thursday. And did I mention that with our 4 shows, we have 4 different casts? My brain has been completely jam packed with relearning choreography for all of the different sections I am in…kinda feels like I have scrambled eggs up there (which I learned how to say in Spanish today “revuelto”!).
As intense as this whole rehearsal process is, Lexy and I were reflecting on how special it is to be able to do a full-length ballet. Never in my wildest dreams did I think I would be performing a principle part in a full length ballet with a Cuban company. Little girl bun head Kate is still in disbelief. Now I really want to be able to do it justice, so now after a dinner break it’s back to more studying for me!
🙂 Kate
My head is in a whirlwind right now. Here is a list of some of my thoughts in no particular order:
🙂 Kate
Friends!
Oh my goodness. It’s finally setting in. We are 1 stop away from Cuba! Ahhh! The company has successfully made it to Houston with minimal problems😝 Thanks to magic conjured by our fearless leader (AKA Associate Director Richard Dickinson, MFA) we managed to make our first flight despite super long lines caused by the recent Cleveland snowstorm. We all have had so much going on learning “Yarini”, preparing our 7 repertory pieces and wrapping up teaching responsibilities that we’ve hardly had mental space to soak it all in. So here it goes:
We are having the opportunity of a lifetime to go to a cultural gem of country and do what we love in collaboration with amazingly talented artists!!! How freaking lucky are we?! Whew!!! Time to strap those grateful goggles on tight and soak it all in🤗
Like I said, I am not sure how accountable the WiFi situation will be once we land in Cuba, so have patience and know that I will be in touch soon. Until then, I will paint the scene before me at the Houston-Intercontinental Airport:
-Omar Humphrey being “extra” and charming everyone in his swanky sunglasses
-Laura Alonso managing her company affairs in multiple languages accompanied by Swedish Fish
-Lots of dancers sporting Starbucks (sponsorship? Anyone?🙏)
-Richard Dickinson looking fly in a full suit and Nike kicks
-Lexy Lattimore dutifully going over Bolero choreography with Nata Santiago close by
-Antonio Morillo and Kelly Korfhage being adorable and discussing UNO
-Lieneke Matte reading about orphans enduring WWII
-Christina and Michael enthusiastically contemplating purchasing a milkshake
-A whole group of incredible people that I am honored and genuinely pumped to travel with👨👩👧👦👨👩👧👦👨👩👧👦
Talk to you soon!
Kate

Omar and Lexy <3

Warming up in Laura Alonso’s fur

4am limousine rides