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Exploring Asia through dance styles

By News

Verb visited Onaway Elementary School in Shaker Heights to present Exploring Asia–a visual and interactive performance program full of movement derived from Asian culture. The program was presented to about 60 students in three Kindergarten classes. Verb’s has had a long relationship with Onaway School. Marcie Denton, who asked Verb to return to the school, has remarked that she “has loved having Verb perform at Onaway in the past.”

Led by Education and Outreach Coordinator, Desmond L. Davis, Verb dancers took students and teachers alike on a 50-minute tour of the Asian continent. Students travelled to India where they explored yoga asanas based on animals with Company member, Kate. They posed like cats, cows, dogs, puppies, cobras, and pigeons and focused their minds with quick meditation in a seated lotus position. The company then performed an Indian- inspired dance in the Bollywood tradition that illustrated the process of pollination. Students were introduced to hasta mudras–hand gestures used in Bharata Natyam or Indian Classical dance–and practiced Om, Namaste, Lotus, Bee/Beetle and Butterfly gestures.

Students then visited China and were treated to a simple Chinese Fan dance and learned that fans were not merely decorative but were sometimes used as a weapon in martial arts and warfare. The students even shared their knowledge of Chinese culture with information about ramen, chopsticks and the differences between Chinese dragons and other dragons. Student volunteers were selected to inspect the fans and try their hands at holding the fans and try some of the fan positions they saw in the dance.

Then it was on to The Philippines, a string of over 7,600 islands in the southeast Asian Archipelago to watch a demonstration of Tinikling, the traditional dance of the world’s 5th largest island country by Verb dancers Isaac, Bryan, Kia and Ashley. The dance, done with parallel bamboo poles tapping, beating and sliding between two people with two or more people stepping, hopping and maneuvering between the rhythm of the poles, imitates the indigenous tikling bird with its legendary grace and speed that is often seen walking between grass stems, running over tree branches or dodging bamboo traps set by rice farmers. Students were encouraged to hop between the rhythmic beating of the poles to avoid capture.

The program closed with a modified performance of Verb’s signature work, Bolero. This work was choreographed by Ohio Ballet’s Heinz Poll has been an audience favorite for many years. The work, inspired by Poll’s travels to India and other parts of the world, was the perfect way to close the program. East Indian Bharata Natyam hand gestures are featured heavily in the work as well as a strong emphasis on Spanish Flamenco with sharp angles of the body and arms, rapid turns and percussive foot movements tied in nicely to the students understanding from the start of the program.

Before the students were dismissed, they were treated to short demonstrations of movement from other countries represented by Verb Ballets’ International Cultural Exchange dancers Bryan Andres Salinas of Colombia and Sikhumbuzo Hlahleni of South Africa.

The students were very engaged and clapped enthusiastically for the Verb dancers afterwards. The dancers made great impact with the students. Kia connected with one student who was very shy when she volunteered to try tinikling and some students were impressed with the fan dance and commented on their own connection to Chinese culture. One of the teachers who watched the program was even caught dancing Colombian rhythms after the dancers departed and imparted how much she enjoyed Bolero. It was a great opportunity building community and connection through dance.

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International Festival

By News

Verb Ballets participated in the International Festival at Open Doors Academy (ODA) for the second year this past November. International Cultural Exchange Artist, Sikhumbuzo Hlahleni shared West African culture with students. The long-standing family event gives ODA students the opportunity to learn about and participate in the world by exploring diverse cultures. Students work with roster artists from the Center for Arts-inspired Learning (CAL) in after-school programming for over six sessions at ten sites.

Verb’s Education and Outreach Coordinator, Desmond L. David, and company dancer, Sikhumbuzo Hlahleni worked with students at Euclid Middle School. Students explored the culture, politics, music, language, food, and accomplishments of the Republic of Côte d’Ivoire, a small coastal West African country. The country overcame French rule and a reputation as the “teeth coast” for its rigorous ivory trade to become the “jewel of West Africa” and the largest exporter of cocoa.

Davis and Hlahleni led sessions that focused on music and movement. Students learned drumming basics and were inspired to create their own rhythms and to follow Hlahleni in making African polyrhythms. The students were also introduced to a popular West African dance called Ndombolo and worked together to choreograph their own interpretation—Hlahleni even surprised them with his own Ndombolo dance moves. Finally, the students learned movements inspired by Côte d’Ivoire’s national anthem “L’Abidjanaise” which means “The Song of Abidjan.”

The collaboration culminated in a presentation by all participating schools at Monticello Middle School. Students, teachers, family, and friends joined ODA and CAL staff for a night of art, food and performances celebrating cultures around the world.

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Discover and Dance

By News

Verb Ballets partnered with University Hospital’s Center for Women and Children to offer a multi-disciplinary arts camp for the residents’ children organized by The Center for Arts Inspired Learning. The arts camp was available free to children in K-4th grade and took place at the Dunham Tavern Museum. Desmond Davis, Verb Ballets’ Education and Outreach Coordinator, led campers in creative movement games and in learning a variety of body percussion movements, rhythms, and vocal recitations.

The campers also had the opportunity to work with Angelica Pozo, a visual artist, Siaara Freeman, a poet and actor, and Baba Jubal, a drummer. The participants performed during the CLEVELAND WALLS! International Mural Festival in MidTown for family and friends. The performance included movements with body percussion to a poem about self-awareness. Campers also performed call-and-response recitations to encourage self-actualization, a vocal performance of children’s book author Jack Prelutsky’s poem “I’m Glad I’m Me,” and a creative dance to Louis Armstrong’s “What A Wonderful World.” Each artist worked to bring messages of inclusion and self-empowerment to the project. The arts camp at the University Hospital’s Center for Women and Children was a wonderful time to celebrate community in Cleveland’s neighborhoods.

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Night of International Dance

By News

Cleveland Dance Movement and Verb present an open community workshop on April 29, 2022 featuring international artists, El-drick Aboagye and Bryan Andres Salinas! The evening will begin with El-drick Aboagye of Ghana leading introductory class in the art of African dance. Bryan Andres Salinas, from Colombia, will then take participants through a beginner salsa lesson. The purpose of the program is to elevate different creative voices and exchange dance styles. The evening will encompass two masterclasses by the international artists in residence followed by a meet-and-greet reception. Participants of all ages (10-adult) and ability levels are welcome. Together the two organizations seek to bring the community a deeper appreciation and understanding of cultures while finding community in dance.

6:00- 6:45pm Intro to African Dance taught by El-drick Aboagye
El-drick Aboagye hails from Ghana and is a second-year graduate student in the dance department at Case Western Reserve. He trained extensively in many West African traditional dance and music forms, African contemporary dance, salsa, kizomba and Ghanaian popular dance. He will be sharing Africa’s dance traditions with the community moving through Traditional African to Contemporary African. This class is 45 minutes long and open to all levels.

7:00-7:45pm Intro to Salsa taught by Bryan Andres Salinas
Bryan Andres Salinas joined Verb Ballets in 2022 from Colombia as a part of the International Cultural Exchange Program. He will be sharing South America’s dance traditions and will be teaching a beginner salsa lesson! This class is 45 minutes long and open to all.

8:00pm Meet and Greet Reception with artists

About Cleveland Dance Movement

Cleveland Dance Movement (CDM) is an arts coalition comprised of dancers, choreographers, educators, and community stakeholders, committed to the support and preservation of various dance forms through access, and integration of diverse world cultures! As an essential part of its commitment to dance, CDM brings to the region a series of professional development and masterclasses, beginning with hosting the International Association of Blacks in Dance (IABD) in January of 2015! It is time we continue the legacy with “Back to school Back to Dance” Masterclass and lecture series.

El-drick Aboagye

El-drick Aboagye hails from Ghana and is a second-year graduate student in the dance department at Case Western Reserve. He trained extensively in many West African traditional dance and music forms, African contemporary dance, salsa, kizomba and Ghanaian popular dance, and earned his BFA degree in dance from the University of Ghana. Aboagye performed with Inlet Dance Theatre the summer of 2021 for their 20th anniversary at Cain Park, and toured with Djapo Cultural Arts Institute starring in The Root of it All for the Heinz Poll Summer Dance Festival in Ohio. Aboagye has enjoyed several years as principal dancer for Socharart Dance Ensemble and also performed with Artistic Visions, Ghana Dance Ensemble and Abibigromma. At Case Western Reserve, he has performed in works by Gary Galbraith, Pam Tanowitz, and Tingyu Xie.

Bryan Andres Salinas

Bryan Andres Salinas began his dance studies at the age of 10 at the Colombian Institute of Classical Ballet (Incolballet). In addition to studying ballet at Incolballet, he studied Colombian dances, contemporary dance, jazz, and salsa. After graduating high school, he participated in programs at Earl Mosley’s Diversity of Dance, Joffrey Ballet School in New York City, and Manhattan Youth Ballet. In 2015, he joined the Incolballet classical ballet company under the directorship of Jose Manuel Ghiso, where he danced in regional festivals and toured both nationally and internationally. During his time with the company, he worked with choreographers Anabelle Lopez Ochoa, Tatiana Martinez, Ruben Bañol, Viviana Hurtado, and Marcos Rodriguez. He was also a founding member of the Fundación Ballet Capital company under the direction of Julian Garay. Bryan joined Verb Ballets in 2022 as a part of Verb’s International Cultural Exchange Program. He will be sharing South America’s dance traditions with Verb Ballets.

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Meet Bryan Andres Salinas

By News

Bryan Andres Salinas

Bryan Andres Salinas joined Verb in January as part of Verb’s 2022 International Cultural Exchange Program. The International Cultural Exchange Program was developed to identify individuals who represent the diverse cultures and races of the world and to bring them to Cleveland to work with Verb’s dancers for six months. As part of his exchange with Verb, he will be sharing South America’s dance traditions, particularly Salsa and Colombian dance with the company.

Salinas began his dance studies at the age of 10 at the Colombian Institute of Classical Ballet. After graduating high school, he furthered his studies in New York City at Earl Mosley’s Diversity of Dance, Joffrey Ballet School and Manhattan Youth Ballet. In 2015, he returned home to join the Incolballet classical ballet company under the directorship of Jose Manuel Ghiso, where he danced regionally and toured internationally. He was also a founding member of the Fundación Ballet Capital Company under the direction of Julian Garay. As part of his exchange with Verb, he will be sharing South America’s dance traditions, particularly Salsa and Colombian dance with the company. In return, he will learn about American contemporary ballet and visit Cleveland’s many cultural institutions. You can catch Bryan on stage or teaching in the community.

Learn Salsa with Bryan

Bryan Andres Salinas will lead a beginner salsa lesson on April 29th at 6pm at the Verb Center for Dance in collaboration with Cleveland Dance Movement. The evening will encompass two masterclasses by the international artists followed by a meet-and-greet reception. Participants of all ages (10-adult) and ability levels are welcome. Admission is $10.

Bryan Andres Salinas

Bryan Andres Salinas began his dance studies at the age of 10 at the Colombian Institute of Classical Ballet (Incolballet). In addition to studying ballet at Incolballet, he studied Colombian dances, contemporary dance, jazz, and salsa. After graduating high school, he participated in programs at Earl Mosley’s Diversity of Dance, Joffrey Ballet School in New York City, and Manhattan Youth Ballet. In 2015, he joined the Incolballet classical ballet company under the directorship of Jose Manuel Ghiso, where he danced in regional festivals and toured both nationally and internationally. During his time with the company, he worked with choreographers Anabelle Lopez Ochoa, Tatiana Martinez, Ruben Bañol, Viviana Hurtado, and Marcos Rodriguez. He was also a founding member of the Fundación Ballet Capital company under the direction of Julian Garay. Bryan joined Verb Ballets in 2022 as a part of Verb’s International Cultural Exchange Program. He will be sharing South America’s dance traditions with Verb Ballets.

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Meet Tommie-Waheed Evans

By Performances, News

2021 Guggenheim Fellow Tommie-Waheed Evans is a queer black dance maker, born and raised in Los Angeles, California, amidst racial divide, gang warfare, and earthquakes. His work explores blackness, spirituality, queerness and liberation. He began his formal training with Karen McDonald before receiving a fellowship at the Ailey School, and a Master of Fine Arts in Choreography from Jacksonville University. He has toured and performed nationally and internationally as a company member of Lula Washington Dance Theater, Complexions Contemporary Ballet and Philadanco. Since 2004, he has created more than 50 original dance works that range widely in scope, length, tone and subject matter. waheedworks, his Philadelphia based dance company, is the primary vehicle for his creative research. The company’s mission is to create a radically collaborative body of work that speaks to the human condition. His work brings together urban street dance styles and contemporary dance vocabulary through bold and raw movements propelled by gospel music and polyrhythmic sounds.

THE INTERVIEW

When did you start dancing?
I started dancing at 15 years old at a small family studio called Dance Connection in Los Angeles. A couple months later I joined the dance department at Alexander Hamilton High School.

How did your experience dancing at PHILADANCO! impact your journey to be a choreographer?
My time at PHILADANCO! was very important because I got to work with so many choreographers—learning about process, composition, structure, and coaching. Every year we would have a weekend of shows called “Danco onDanco” where we would get the chance to choreograph.After one particular year, the founder, Joan Myers Brown,told me I had a great future as a choreographer and encouraged me to take it more seriously. Having that space and such high-quality dancers who believed in me was invaluable.

In three words describe your choreographic style:
Driving, Physical, Moving, Emotional, Freeing, Spiritual. I said more than three!

What was the first work of art that really mattered to you?
My first self-produced concert for my company Waheedworks, Meetings Along the Edge.

How many pieces have you choreographed for the company?
This production will be the fourth I have created on the of Verb.

Every morning I have to _________ before I start my day:
Listen to music loudly and have a cup of coffee or tea.

What community do you call home?
Of course, my family in Los Angeles. But also all the organizations I work with regularly including University of the Arts, PHILADANCO!, and Verb.

Who are some of your major influences?
Alonzo King, Rennie Harris, Dwight Rhoden, Ronald K. Brown, Kanye West, Carrie Mae Weems, and Anne Teresa de Keersmaker.

What is your favorite book or magazine?
All About Love by Bell Hooks and Last Night on Earth by Bill T. Jones.

Live@Noon

Friday, April 1, 2022 12:00pm ET
$15 Tickets
In-studio or Livestream

Surge. Capacity. Force. (2017)
Choreographed by Tommie-Waheed Evans

Dark Matter (2013)
Choreographed by Tommie-Waheed Evans

Anti/gone (World Premiere)

Verb presents a powerful new work based on the Ancient Greek tragedy Antigone with choreography by Philadelphia-based artist Tommie-Waheed Evans. Evans, an award-winning choreographer, was recently selected as a 2021 Guggenheim Fellow in choreography and is a recipient of a Princess Grace Foundation Award. Using his driving urban contemporary ballet movement aesthetic, Evans will synthesize the current political climate with the classical world of Antigone. The new work, entitled Anti/gone, will situate these ancient archetypes in the contemporary world, ultimately challenging the status quo. The tension between action and fate will come to life with an electrifying, original score by composer Greg Smith, and complemented by costumes created by runway designer Philista Mills.

SHOW DETAILS

April 9, 2022 7:00pm
LaSalle Theatre
823 E. 185th St. Cleveland, OH 44119

$35 VIP Seating (Include a drink ticket)
$20 First Balcony / $10 Second Balcony
All seating is general admission

TICKETS

Ticket Levels

$35 VIP Seating (Include a drink ticket)
$20 First Balcony
$10 Second Balcony
All seating is general admission

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Spring Gala Sponsorship 2022

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Spring Gala Sponsorship 2022

Sponsoring the Spring Gala on April 8, 2022 is a great way to help sustain Verb Ballets in a highly visible way for your company, organization or family foundation. This benefit will go directly towards supporting Verb Ballets operations, performances and outreach programs. Verb Ballets is a 501(c)3 tax exempt organization. Complete the form below to pay by credit card or mail checks to Verb Ballets 3558 Lee Rd. Shaker Heights, OH 44120.

For any questions, please contact Spring Healy at 216-397-3757 ext 2 or email.

Impresarios

  • 16 Gala Tickets
  • 30 complimentary tickets to a Verb Ballets performance
  • Private studio viewing for up to 20 guests
  • Full page ad in Verb programs through April 2023
  • Top billing on Gala marketing (print, web, radio, social media visibility)
  • Gala night signage and company recognition video

$20,000

Learn more

Etoiles

  • 12 Gala Tickets
  • 20 complimentary tickets to a Verb Ballets performance
  • Private studio viewing for up to 20 guests
  • Half page ad in Verb programs through April 2023
  • Top billing on Gala marketing (print, web, radio, social media visibility)
  • Gala night signage and company recognition video

$10,000

Learn more

Principals

  • 6 Gala Tickets
  • 10 complimentary tickets to a Verb Ballets performance
  • Logo on Gala materials and website
  • Gala night signage and recognition

$5,000

Learn more

Soloists

  • 4 Gala Tickets
  • 4 complimentary tickets to a Verb Ballets performance
  • Logo on Gala materials and website
  • Gala night signage and recognition

$2,500

Learn more

Corps De Ballet

  • 2 Gala Tickets
  • 2 complimentary tickets to a Verb Ballets performance
  • Logo on Gala materials and website
  • Gala night signage and recognition

$1,500

Learn more

Sponsorship

If you have any question or would like to receive an invoice please contact Spring Healy at 216-397-3757 ext 2 or email.

LaSalle Theatre

823 E. 185th St.
Cleveland OH 44119

Complimentary Valet Parking

Spring Gala 2022

By Performances, News

Spring Gala 2022

Friday, April 8, 2022

Join us for Verb’s Spring Gala and experience the world premiere of award-winning choreographer Tommie-Waheed Evans’ new work Anti/gone accompanied by a commissioned music score. The performance will be followed by dinner by Trifles Catering and a Raise-the-Paddle fundraiser. Enjoy mingling with the choreographer and dancers. Verb’s annual Spring Gala provides vital support necessary to maintain the company’s high level of artistic performance, general operations, and educational programming.

Although proof of vaccinations is not required, Verb asks all unvaccinated guests to wear masks during the benefit when not actively eating or drinking.

Events of the Evening

6:00PM: Cocktails & Hors d’oeuvres

7:00PM: World​ Premiere of Anti/gone by Tommie-Waheed Evans

8:00PM: Raise-the-Paddle for Verb

8:15PM: Dinner by Trifles Catering

GALA DETAILS

April 8, 2022

VENUE

LaSalle Theatre
823 E. 185th St.
Cleveland OH 44119
Complimentary Valet Parking

TICKETS

Gala Guest $150
Gala Benefactor $250 ($100 tax deductible)

RSVP

Sponsorship

Is a great way to help sustain Verb in a highly visible way for your company, organization or family foundation.

passionate, wild... she hasn't learned to bend before adversity

Antigone

If you wish to send a check for gala tickets please send to Verb Ballets 3558 Lee Rd. Shaker Heights, OH 44120.

LaSalle Theatre

823 E. 185th St.
Cleveland OH 44119

Complimentary Valet Parking

Meet Joshua L. Peugh

By Performances, News

World Premiere at EJ Thomas Hall

February 26, 2022 7:30pm

Verb Ballets presents its world premiere of recently commissioned Romeo and Juliet with choreography by Joshua L. Peugh. Peugh, and award-winning choreographer, has been named as one of Dance Magazine’s “25 to Watch.” In this new contemporary ballet, the plot and structure of Shakespeare’s play with live music by distinguished pianist, Nathan Carterette. Peugh takes adventurous approach to exploring the intersecting themes of freedom and mortality, while reflecting poignant issues of our current political and social reality.Through his work, Peugh aims for audiences to connect, interact, and react to one another in the depths of our humanness.

EJ Thomas COVID-19 Safety Protocols

This production the auditorium will be sold at half capacity to allow for social distancing. All guests are required to wear masks in the theatre regardless of vaccination status. See details here.

SHOW DETAILS

February 26, 2022 7:30pm
E.J. Thomas Hall
198 Hill St Akron, OH 44325

TICKETS

$30/ $10
Ticket fees apply

Call the E. J. Box Office at 330-972-7570
10AM – 4PM Monday-Friday

Order online through Ticketmaster

GET TICKETS NOW
Director & Choreographer

Joshua L. Peugh

Joshua L. Peugh is the Founder and Artistic Director of Dark Circles Contemporary Dance and Co-founder of Fair Assembly. A graduate of Southern Methodist University, he has created work for festivals in Asia, Europe, and North America, winning awards for his choreography in South Korea, Japan, Canada, and the USA. He was the recipient of the Grand Prize at the McCallum Theatre’s 18th Annual Choreography Festival and was chosen as one of Dance Magazine‘s “25 to Watch.” Joshua served as choreographer for legendary soprano Kathleen Battle’s concert Underground Railroad – A Spiritual Journey and was the 2018 recipient of the Natalie Skelton Award for Artistic Excellence.

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Verbiculture February 2022

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First issue of Verbiculture magazine this year! Read about new commission of Romeo & Juliet, news about the dancers, educational projects, and more. Hit to read in fullscreen with the button in lower right corner. The magazine can be download to your device or viewed utilizing the Issuu app.

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