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Dancing Pas de Dix

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Verb had planned on performing Pas da Dix as part of our Lakeside Chautauqua program the summer of 2020 with the Lakeside Symphony but was canceled due to the pandemic. Once the company resumed the work restaged and live stream on the Classical Variations program in 2021. VThe ballet opens with the ensemble in beautiful radiant tutus, full of spirited czardas rhythms. Both directors Dr. Margaret Carlson and Richard Dickinson, MFA have danced this challenging ballet and are pleased to bring this classic to the company repertory. Read about the  memories this piece brings back for them.

Dr. Margaret Carlson, Producing Artistic Director

What did you like about the role?
I have always wanted to add Raymonda’s Wedding to Verb’s vast repertory because it was one of my most beloved roles in my dance career. I performed the lead role of Raymonda, that you will see on Friday night, with the original Cleveland Ballet in the 1970s. I began as one of the corps couples and later went into a principal role where I partnered with Cleveland Ballet co-founder, Dennis Nahat. My favorite section that I performed was the solo variation that was created by Dennis. I felt that his version really captured the feeling of a young princess on her wedding night with the fears, anticipation, and passion.

What is your fondest memory of the piece?
Our first performance was at the old Cleveland Playhouse church theater. The stage did not have a cross over space for the dancers to walk behind. To get to the other side we had to crawl through a small dirty space under the stage. The wardrobe person would meet us at our exit, throw a big sheet over us, then we both would have to crawl on our hands and knees to cross under the stage. All the while making sure the sheet stayed on us so the costumes weren’t ruined!

Then and now, it seems the dancers will be performing this work with the orchestra this summer and the beauty of this classic will shine on.

Richard Dickinson, MFA, Associate Artistic Director

When did you first perform Raymonda? ​
It was my first season with Chicago Ballet in 1977, under the directorship of Ruth Page and Frederick Franklin, icons of the dance world. I wanted to impress them, as much as possible!  They had brought in the choreographer Eugene Tanner from New York City Ballet to stage the ballet, “Raymonda Pas de Dix” on us.  It was a great experience, working on such a high level of intensity and artistry, with these major artists that knew how to coax more technique and “joie de vivre” out of us.  I learned so much from that experience. I was too star struck and focused to make any memories.

What did you enjoy most about the role? 
​The men are asked to perform some tricky partnering and demanding technical feats, while looking like it’s a piece of cake, a “no problem, I can do this.” attitude.

As a dancer what was the biggest challenge in this role? ​
There is a dance for the 4 corps men- it requires you to do consecutive double tours (a jump into the air and two turns around before you land) while all the way downstage (towards the audience). You are front and center and cannot make any technical errors, otherwise the audience will notice. Terrifying….

What are you looking forward to with this piece with a live orchestra? 
​Live music is where it is at. It makes the dance ​spontaneous, energetic, alive and sparkle with nuances.

Photo: Kolman Rosenberg

Inside the Studio

Verb had planned on performing Pas da Dix as part of our Lakeside Chautauqua program the summer of 2020 with the Lakeside Symphony but was canceled due to the pandemic. Once the company resumed the work it was restaged and live streamed on the Classical Variations program in 2021. The company interviews capture the challenges of staging this work during the time of COVID-19 pandemic.

The Raymonda Ballet

The tale of Raymonda is a Russian ballet performed in three acts originally choreographed by Marius Petipa in 1898 to music by Alexander Glazunov. Today, the Raymonda Ballet is still performed by many ballet companies throughout the world. The story is based on Count Jean de Brienne (a knight), betrothed to Raymonda (a young Hungarian noblewoman), who abandons her to join the Crusades against the Saracens. The ballet is famous for its Grand Pas Classique known as the Grand Pas Classique Hongrois or Raymonda Pas de Dix from the third Act, which is often extracted from the full-length work to be performed independently. The third act is the wedding of the two happy lovers as the castle celebrates their marriage in an explosion of merriment. Together, this all creates the image of a heroine who embodies the many facets of womanhood. The piece will feature the virtuosity of the dancers with technique, grace, beauty of line and absolute skill.

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Verbiculture June 2022

By News, verbiculture

Verbiculture magazine is back to kick off the summer season. In this issue, read about what we’re bringing to the summer stage, throwback highlights from story ballets, educational projects, and more. Hit to read in fullscreen with the button in lower right corner. The magazine can be download to your device or viewed utilizing the Issuu app.

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Moving with the Elders Workshop

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This workshop – for the elder generation of Cleveland dancers, teachers, choreographers and movement-based improvisers, artists who studied with them and emerging artists – offers an experiential embodied approach for awakening one’s kinesthetic awareness and creativity as an aspect of each person’s life stage. Visiting teaching artist Diane Butler will begin the session with guided practice in a chair or on the ground based on daily life postures, micro and macro movements of the joint axes and breathing of the skin in relation to the kinesphere, spatial-temporal awareness, scale, volume and direction. We will then engage in duet improvisations to explore movement as a dialogue of varied lineages. Our practice will progress into creating small group constellations; Moving with the Elders. Co-organizers: Department of Dance at Case Western Reserve University, DANCECleveland, Verb Ballets.

Who is this workshop for: max 30 people, active and retired artists (age 16 and above)

Workshop fee: Preregister through Eventbrite to hold your space, $30 (cash only pay on-site)

What to bring rain or shine: your own mat or a portable lawn-chair and an umbrella or rain poncho

Inquiries: dance@case.edu

Visiting teaching artist Diane Butler

Diane Butler, Ph.D., a Cleveland native, is a dance-movement artist, teacher, and cultural program director who has collaborated with traditional and contemporary artists from diverse cultures and faiths in the Americas, Europe, and Asia for thirty-seven years and since 2001 resided in the villages of Bedulu and Tejakula in Bali, Indonesia. In 2001, together with Suprapto Suryodarmo – she co-founded Dharma Nature Time, a cooperative international foundation with members in eight nations that carry out activities to support interculture in cultural environments through sharing in the arts, religiosity and nature. Diane is also an alumna of the 2011 UNITAR Session on the Management and Conservation of World Heritage Sites held in Japan. In the 1980s, she lived in New York City and assisted and performed in site-specific dance works by Ruby Shang with American, Asian, and European artists in the USA, France, Japan and UK. In the 1990s, she served as an Associate Professor, Founding Chair of InterArts Studies, and Director of Dance/Movement Studies at Naropa University in Colorado and Assistant Director of the 2000 and Director of the 2001 Naropa Study Abroad program in Bali. She holds a BFA in Dance from The Juilliard School; MALS in Dance & Culture from Wesleyan University; and is the first non-Indonesian to earn a Ph.D. in Kajian Budaya (Cultural Studies) from Universitas Udayana, Bali where in 2014 the Rector appointed her as a volunteer Associate Professor. Diane has been leading Awakening InterArts workshops since 1997, initially in Europe and the USA, and since 2001 in an annual series in Bedulu and Tejakula, Bali and as a guest teacher in other countries.

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Exploring Asia through dance styles

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Verb visited Onaway Elementary School in Shaker Heights to present Exploring Asia–a visual and interactive performance program full of movement derived from Asian culture. The program was presented to about 60 students in three Kindergarten classes. Verb’s has had a long relationship with Onaway School. Marcie Denton, who asked Verb to return to the school, has remarked that she “has loved having Verb perform at Onaway in the past.”

Led by Education and Outreach Coordinator, Desmond L. Davis, Verb dancers took students and teachers alike on a 50-minute tour of the Asian continent. Students travelled to India where they explored yoga asanas based on animals with Company member, Kate. They posed like cats, cows, dogs, puppies, cobras, and pigeons and focused their minds with quick meditation in a seated lotus position. The company then performed an Indian- inspired dance in the Bollywood tradition that illustrated the process of pollination. Students were introduced to hasta mudras–hand gestures used in Bharata Natyam or Indian Classical dance–and practiced Om, Namaste, Lotus, Bee/Beetle and Butterfly gestures.

Students then visited China and were treated to a simple Chinese Fan dance and learned that fans were not merely decorative but were sometimes used as a weapon in martial arts and warfare. The students even shared their knowledge of Chinese culture with information about ramen, chopsticks and the differences between Chinese dragons and other dragons. Student volunteers were selected to inspect the fans and try their hands at holding the fans and try some of the fan positions they saw in the dance.

Then it was on to The Philippines, a string of over 7,600 islands in the southeast Asian Archipelago to watch a demonstration of Tinikling, the traditional dance of the world’s 5th largest island country by Verb dancers Isaac, Bryan, Kia and Ashley. The dance, done with parallel bamboo poles tapping, beating and sliding between two people with two or more people stepping, hopping and maneuvering between the rhythm of the poles, imitates the indigenous tikling bird with its legendary grace and speed that is often seen walking between grass stems, running over tree branches or dodging bamboo traps set by rice farmers. Students were encouraged to hop between the rhythmic beating of the poles to avoid capture.

The program closed with a modified performance of Verb’s signature work, Bolero. This work was choreographed by Ohio Ballet’s Heinz Poll has been an audience favorite for many years. The work, inspired by Poll’s travels to India and other parts of the world, was the perfect way to close the program. East Indian Bharata Natyam hand gestures are featured heavily in the work as well as a strong emphasis on Spanish Flamenco with sharp angles of the body and arms, rapid turns and percussive foot movements tied in nicely to the students understanding from the start of the program.

Before the students were dismissed, they were treated to short demonstrations of movement from other countries represented by Verb Ballets’ International Cultural Exchange dancers Bryan Andres Salinas of Colombia and Sikhumbuzo Hlahleni of South Africa.

The students were very engaged and clapped enthusiastically for the Verb dancers afterwards. The dancers made great impact with the students. Kia connected with one student who was very shy when she volunteered to try tinikling and some students were impressed with the fan dance and commented on their own connection to Chinese culture. One of the teachers who watched the program was even caught dancing Colombian rhythms after the dancers departed and imparted how much she enjoyed Bolero. It was a great opportunity building community and connection through dance.

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International Festival

By News

Verb Ballets participated in the International Festival at Open Doors Academy (ODA) for the second year this past November. International Cultural Exchange Artist, Sikhumbuzo Hlahleni shared West African culture with students. The long-standing family event gives ODA students the opportunity to learn about and participate in the world by exploring diverse cultures. Students work with roster artists from the Center for Arts-inspired Learning (CAL) in after-school programming for over six sessions at ten sites.

Verb’s Education and Outreach Coordinator, Desmond L. David, and company dancer, Sikhumbuzo Hlahleni worked with students at Euclid Middle School. Students explored the culture, politics, music, language, food, and accomplishments of the Republic of Côte d’Ivoire, a small coastal West African country. The country overcame French rule and a reputation as the “teeth coast” for its rigorous ivory trade to become the “jewel of West Africa” and the largest exporter of cocoa.

Davis and Hlahleni led sessions that focused on music and movement. Students learned drumming basics and were inspired to create their own rhythms and to follow Hlahleni in making African polyrhythms. The students were also introduced to a popular West African dance called Ndombolo and worked together to choreograph their own interpretation—Hlahleni even surprised them with his own Ndombolo dance moves. Finally, the students learned movements inspired by Côte d’Ivoire’s national anthem “L’Abidjanaise” which means “The Song of Abidjan.”

The collaboration culminated in a presentation by all participating schools at Monticello Middle School. Students, teachers, family, and friends joined ODA and CAL staff for a night of art, food and performances celebrating cultures around the world.

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Discover and Dance

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Verb Ballets partnered with University Hospital’s Center for Women and Children to offer a multi-disciplinary arts camp for the residents’ children organized by The Center for Arts Inspired Learning. The arts camp was available free to children in K-4th grade and took place at the Dunham Tavern Museum. Desmond Davis, Verb Ballets’ Education and Outreach Coordinator, led campers in creative movement games and in learning a variety of body percussion movements, rhythms, and vocal recitations.

The campers also had the opportunity to work with Angelica Pozo, a visual artist, Siaara Freeman, a poet and actor, and Baba Jubal, a drummer. The participants performed during the CLEVELAND WALLS! International Mural Festival in MidTown for family and friends. The performance included movements with body percussion to a poem about self-awareness. Campers also performed call-and-response recitations to encourage self-actualization, a vocal performance of children’s book author Jack Prelutsky’s poem “I’m Glad I’m Me,” and a creative dance to Louis Armstrong’s “What A Wonderful World.” Each artist worked to bring messages of inclusion and self-empowerment to the project. The arts camp at the University Hospital’s Center for Women and Children was a wonderful time to celebrate community in Cleveland’s neighborhoods.

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Night of International Dance

By News

Cleveland Dance Movement and Verb present an open community workshop on April 29, 2022 featuring international artists, El-drick Aboagye and Bryan Andres Salinas! The evening will begin with El-drick Aboagye of Ghana leading introductory class in the art of African dance. Bryan Andres Salinas, from Colombia, will then take participants through a beginner salsa lesson. The purpose of the program is to elevate different creative voices and exchange dance styles. The evening will encompass two masterclasses by the international artists in residence followed by a meet-and-greet reception. Participants of all ages (10-adult) and ability levels are welcome. Together the two organizations seek to bring the community a deeper appreciation and understanding of cultures while finding community in dance.

6:00- 6:45pm Intro to African Dance taught by El-drick Aboagye
El-drick Aboagye hails from Ghana and is a second-year graduate student in the dance department at Case Western Reserve. He trained extensively in many West African traditional dance and music forms, African contemporary dance, salsa, kizomba and Ghanaian popular dance. He will be sharing Africa’s dance traditions with the community moving through Traditional African to Contemporary African. This class is 45 minutes long and open to all levels.

7:00-7:45pm Intro to Salsa taught by Bryan Andres Salinas
Bryan Andres Salinas joined Verb Ballets in 2022 from Colombia as a part of the International Cultural Exchange Program. He will be sharing South America’s dance traditions and will be teaching a beginner salsa lesson! This class is 45 minutes long and open to all.

8:00pm Meet and Greet Reception with artists

About Cleveland Dance Movement

Cleveland Dance Movement (CDM) is an arts coalition comprised of dancers, choreographers, educators, and community stakeholders, committed to the support and preservation of various dance forms through access, and integration of diverse world cultures! As an essential part of its commitment to dance, CDM brings to the region a series of professional development and masterclasses, beginning with hosting the International Association of Blacks in Dance (IABD) in January of 2015! It is time we continue the legacy with “Back to school Back to Dance” Masterclass and lecture series.

El-drick Aboagye

El-drick Aboagye hails from Ghana and is a second-year graduate student in the dance department at Case Western Reserve. He trained extensively in many West African traditional dance and music forms, African contemporary dance, salsa, kizomba and Ghanaian popular dance, and earned his BFA degree in dance from the University of Ghana. Aboagye performed with Inlet Dance Theatre the summer of 2021 for their 20th anniversary at Cain Park, and toured with Djapo Cultural Arts Institute starring in The Root of it All for the Heinz Poll Summer Dance Festival in Ohio. Aboagye has enjoyed several years as principal dancer for Socharart Dance Ensemble and also performed with Artistic Visions, Ghana Dance Ensemble and Abibigromma. At Case Western Reserve, he has performed in works by Gary Galbraith, Pam Tanowitz, and Tingyu Xie.

Bryan Andres Salinas

Bryan Andres Salinas began his dance studies at the age of 10 at the Colombian Institute of Classical Ballet (Incolballet). In addition to studying ballet at Incolballet, he studied Colombian dances, contemporary dance, jazz, and salsa. After graduating high school, he participated in programs at Earl Mosley’s Diversity of Dance, Joffrey Ballet School in New York City, and Manhattan Youth Ballet. In 2015, he joined the Incolballet classical ballet company under the directorship of Jose Manuel Ghiso, where he danced in regional festivals and toured both nationally and internationally. During his time with the company, he worked with choreographers Anabelle Lopez Ochoa, Tatiana Martinez, Ruben Bañol, Viviana Hurtado, and Marcos Rodriguez. He was also a founding member of the Fundación Ballet Capital company under the direction of Julian Garay. Bryan joined Verb Ballets in 2022 as a part of Verb’s International Cultural Exchange Program. He will be sharing South America’s dance traditions with Verb Ballets.

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Meet Bryan Andres Salinas

By News

Bryan Andres Salinas

Bryan Andres Salinas joined Verb in January as part of Verb’s 2022 International Cultural Exchange Program. The International Cultural Exchange Program was developed to identify individuals who represent the diverse cultures and races of the world and to bring them to Cleveland to work with Verb’s dancers for six months. As part of his exchange with Verb, he will be sharing South America’s dance traditions, particularly Salsa and Colombian dance with the company.

Salinas began his dance studies at the age of 10 at the Colombian Institute of Classical Ballet. After graduating high school, he furthered his studies in New York City at Earl Mosley’s Diversity of Dance, Joffrey Ballet School and Manhattan Youth Ballet. In 2015, he returned home to join the Incolballet classical ballet company under the directorship of Jose Manuel Ghiso, where he danced regionally and toured internationally. He was also a founding member of the Fundación Ballet Capital Company under the direction of Julian Garay. As part of his exchange with Verb, he will be sharing South America’s dance traditions, particularly Salsa and Colombian dance with the company. In return, he will learn about American contemporary ballet and visit Cleveland’s many cultural institutions. You can catch Bryan on stage or teaching in the community.

Learn Salsa with Bryan

Bryan Andres Salinas will lead a beginner salsa lesson on April 29th at 6pm at the Verb Center for Dance in collaboration with Cleveland Dance Movement. The evening will encompass two masterclasses by the international artists followed by a meet-and-greet reception. Participants of all ages (10-adult) and ability levels are welcome. Admission is $10.

Bryan Andres Salinas

Bryan Andres Salinas began his dance studies at the age of 10 at the Colombian Institute of Classical Ballet (Incolballet). In addition to studying ballet at Incolballet, he studied Colombian dances, contemporary dance, jazz, and salsa. After graduating high school, he participated in programs at Earl Mosley’s Diversity of Dance, Joffrey Ballet School in New York City, and Manhattan Youth Ballet. In 2015, he joined the Incolballet classical ballet company under the directorship of Jose Manuel Ghiso, where he danced in regional festivals and toured both nationally and internationally. During his time with the company, he worked with choreographers Anabelle Lopez Ochoa, Tatiana Martinez, Ruben Bañol, Viviana Hurtado, and Marcos Rodriguez. He was also a founding member of the Fundación Ballet Capital company under the direction of Julian Garay. Bryan joined Verb Ballets in 2022 as a part of Verb’s International Cultural Exchange Program. He will be sharing South America’s dance traditions with Verb Ballets.

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Spring Gala Sponsorship 2022

By Gala, News

Spring Gala Sponsorship 2022

Sponsoring the Spring Gala on April 8, 2022 is a great way to help sustain Verb Ballets in a highly visible way for your company, organization or family foundation. This benefit will go directly towards supporting Verb Ballets operations, performances and outreach programs. Verb Ballets is a 501(c)3 tax exempt organization. Complete the form below to pay by credit card or mail checks to Verb Ballets 3558 Lee Rd. Shaker Heights, OH 44120.

For any questions, please contact Spring Healy at 216-397-3757 ext 2 or email.

Impresarios

  • 16 Gala Tickets
  • 30 complimentary tickets to a Verb Ballets performance
  • Private studio viewing for up to 20 guests
  • Full page ad in Verb programs through April 2023
  • Top billing on Gala marketing (print, web, radio, social media visibility)
  • Gala night signage and company recognition video

$20,000

Learn more

Etoiles

  • 12 Gala Tickets
  • 20 complimentary tickets to a Verb Ballets performance
  • Private studio viewing for up to 20 guests
  • Half page ad in Verb programs through April 2023
  • Top billing on Gala marketing (print, web, radio, social media visibility)
  • Gala night signage and company recognition video

$10,000

Learn more

Principals

  • 6 Gala Tickets
  • 10 complimentary tickets to a Verb Ballets performance
  • Logo on Gala materials and website
  • Gala night signage and recognition

$5,000

Learn more

Soloists

  • 4 Gala Tickets
  • 4 complimentary tickets to a Verb Ballets performance
  • Logo on Gala materials and website
  • Gala night signage and recognition

$2,500

Learn more

Corps De Ballet

  • 2 Gala Tickets
  • 2 complimentary tickets to a Verb Ballets performance
  • Logo on Gala materials and website
  • Gala night signage and recognition

$1,500

Learn more

Sponsorship

If you have any question or would like to receive an invoice please contact Spring Healy at 216-397-3757 ext 2 or email.

LaSalle Theatre

823 E. 185th St.
Cleveland OH 44119

Complimentary Valet Parking

Spring Gala 2022

By Performances, News

Spring Gala 2022

Friday, April 8, 2022

Join us for Verb’s Spring Gala and experience the world premiere of award-winning choreographer Tommie-Waheed Evans’ new work Anti/gone accompanied by a commissioned music score. The performance will be followed by dinner by Trifles Catering and a Raise-the-Paddle fundraiser. Enjoy mingling with the choreographer and dancers. Verb’s annual Spring Gala provides vital support necessary to maintain the company’s high level of artistic performance, general operations, and educational programming.

Although proof of vaccinations is not required, Verb asks all unvaccinated guests to wear masks during the benefit when not actively eating or drinking.

Events of the Evening

6:00PM: Cocktails & Hors d’oeuvres

7:00PM: World​ Premiere of Anti/gone by Tommie-Waheed Evans

8:00PM: Raise-the-Paddle for Verb

8:15PM: Dinner by Trifles Catering

GALA DETAILS

April 8, 2022

VENUE

LaSalle Theatre
823 E. 185th St.
Cleveland OH 44119
Complimentary Valet Parking

TICKETS

Gala Guest $150
Gala Benefactor $250 ($100 tax deductible)

RSVP

Sponsorship

Is a great way to help sustain Verb in a highly visible way for your company, organization or family foundation.

”passionate, wild... she hasn't learned to bend before adversity

Antigone

If you wish to send a check for gala tickets please send to Verb Ballets 3558 Lee Rd. Shaker Heights, OH 44120.

LaSalle Theatre

823 E. 185th St.
Cleveland OH 44119

Complimentary Valet Parking