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Verb Ballets is a contemporary ballet company that presents bold works and builds community through dance

The professional company is comprised of 13 dancers from across the nation and globe. In addition to touring regionally, the company has toured internationally in Cuba and Taiwan and has built lasting partnerships that provide opportunities for cultural exchange.  Building community and offering opportunities to learn through dance are at the core of Verb’s mission.

Visit us at the OAPN Conference at Booth #30 and watch our showcase at Playhouse Square on Wednesday at 2:25pm

About the Company

Verb Ballets is a contemporary ballet company that presents bold works and builds community through dance. The company honors the roots of pioneer ballet companies in the rustbelt region. Today, the company is under the leadership of Dr. Margaret Carlson, former principal dancer for Cleveland Ballet, and Richard Dickinson, MFA, former Ohio Ballet dancer. The company strives to commission choreographers that elevate marginalized voices and reflect our times. Building community and offering opportunities to learn through dance are at the core of Verb’s mission. Verb aims to bring programs out to the public, meeting people where they live, work, and learn. The company’s children’s programs explore topics such as arts appreciation, literacy, STEM, and cultural diversity. Verb also offers programs for seniors that emphasize movement to encourage socialization and wellness. The professional company is comprised of 13 dancers from across the nation and globe. In addition to touring regionally, the company has toured internationally in Cuba and Taiwan and has built lasting partnerships that provide opportunities for cultural exchange. Verb Ballets aims to support art that is reflective of our current societal landscape and relevant to our dancers, communities, and dance enthusiasts in Ohio and abroad.

Offering

  • Performances
  • Children’s Ballets
  • Community Outreach
  • Residencies
  • Master Classes
  • Senior Movement Workshops
  • Speaking Engagements
  • Industry Experience Field Trips

Enough Talk, Let's Work Together

Booking New Full Length Ballets

World premieres coming Spring 2022. Now available for booking.

Choreographed by Joshua L. Peugh

Romeo & Juliet

Verb Ballets has commissioned award-winning choreographer Joshua L. Peugh, of New Mexico, to create a contemporized version of Romeo and Juliet. Using the plot and structure of Shakespeare’s play along with the mythology of the story and characters themselves, this new ballet will take an adventurous approach to exploring the intersecting themes of freedom and mortality while reflecting poignant issues of our current political and social reality. Peugh moves audiences to understand movement as a universal language, accessible to all.

Work Features
  • Music: Pyotr Ilyich Tchaikovsky
  • Number of dancers: 12-14
  • Running time: 80 minutes one act
  • Feature abstract modern set design

His nuanced style, combines humor, nostalgia and ratified theater with his idiosyncratic movement vocabulary to make dances that anyone can enjoy.

Nancy WoznyARTS + CULTURE TEXAS

Joshua L. Peugh

Joshua L. Peugh is the Founder and Artistic Director of Dark Circles Contemporary Dance and Co-founder of Fair Assembly. A graduate of Southern Methodist University, he has created work for festivals in Asia, Europe, and North America, winning awards for his choreography in South Korea, Japan, Canada, and the USA. He was the recipient of the Grand Prize at the McCallum Theatre’s 18th Annual Choreography Festival and was chosen as one of Dance Magazine‘s “25 to Watch.” Joshua served as choreographer for legendary soprano Kathleen Battle’s concert Underground Railroad – A Spiritual Journey and was the 2018 recipient of the Natalie Skelton Award for Artistic Excellence.

Awards
  • Dance Magazine‘s “25 to Watch”
  • Grand Prize at the McCallum Theatre’s 18th Annual Choreography Festival
  • 2018 recipient of the Natalie Skelton Award for Artistic Excellence
  • International awards for choreography in South Korea, Japan, Canada

Joshua L. Peugh has created over 40 new works nationally and internationally

Choreographed by Tommie-Waheed Evans

Antigone

Verb Ballets and Philadelphia-based choreographer Tommie-Waheed Evans will join forces again to create a powerful new work based on the Ancient Greek tragedy Antigone. Using his driving urban contemporary ballet movement aesthetic Evans will synthesize the current political climate with the classical world of Antigone. By placing these ancient archetypes into the contemporary world, the tension between action and fate will be met with a dynamic, classically driven score.

Work Features
  • Number of dancers: 12
  • Running time: 60 minute vignette
  • Can be adapted to non traditional stage venues
  • Music: commissioned score by industrial electronica composer Greg Smith

the work is a nonstop tour-de-force - great athleticism and complexity in what could be described as a radical urban style.

Mark SatolaTHE PLAIN DEALER

Tommie-Waheed Evans

2021 Guggenheim Fellow Tommie-Waheed Evans is a queer black dance maker, born and raised in Los Angeles, California, amidst racial divide, gang warfare, and earthquakes. His work explores blackness, spirituality, queerness and liberation. He began his formal training with Karen McDonald before receiving a fellowship at the Ailey School, and a Master of Fine Arts in Choreography from Jacksonville University. He has toured and performed nationally and internationally as a company member of Lula Washington Dance Theater, Complexions Contemporary Ballet and Philadanco. Since 2004, he has created more than 50 original dance works that range widely in scope, length, tone and subject matter. waheedworks, his Philadelphia based dance company, is the primary vehicle for his creative research. The company’s mission is to create a radically collaborative body of work that speaks to the human condition. His work brings together urban street dance styles and contemporary dance vocabulary through bold and raw movements propelled by gospel music and polyrhythmic sounds.

Awards
  • 2019 Princess Grace Honoraria Award in Choreography
  • 2019 Joffrey Ballet Winning Works
  • 2021 Guggenheim Fellow in choreography
  • 2021 Jerome Robbins Dance Research Fellow

Tommie-Waheed Evans has created over 50 original dance works nationally

Full Repertory Samples

Touring programs can be custom built to fit time and format. Included below, you will find a selection of past repertory. Verb Ballets will help you select pieces for your program and venue to created a memorable performance.


Triptych (1988)
Choreography: Heinz Poll
Music: Felix Mendelssohn, Piano Concerto #2
Company Premiere: June 26, 2021
Number of dancers: 11
Running time: 27:40 minutes

World of Another (2021)
Choreography: Stephanie Martinez
Music: Vivaldi, All Skate, Sheep Balls
Company Premiere: May 14, 2021
Number of dancers: 14
Running time: 18:00 minutes

Dances for Isadora (Five Evocations of Isadora Duncan) (1971)
Choreography: José Limón
Music: Frédéric Chopin
Company Premiere:
Premiere: December 10, 1971 by the José Limón Dance Company
Number of dancers: 5
Running time: 24:42 minutes

Love is… (2010)
Choreography: Christopher Huggins
Music: Michael Galasso, ITMFL I,II, Angkor Wat Theme, Shigeru Umebayashi, Yumej’s Theme
Company Premiere: May 14, 2021
Number of dancers: 14
Running time: 15:00 minutes

KL3668 (2020)
Choreography: Richard Dickinson
Music: Ravel, Sonata for Violin and Cello
Premiere: October 9, 2020
Number of dancers: 12
Running time: 21:20 minutes

Dark Matter (2013)
Choreography: Tommie-Waheed Evans
Music: Greg Smith, composer, and Johann Sebastian Bach, Toccota and Fugue in D Minor
Company Premiere: June 2013
Number of dancers: 11
Running time: 17:40 minutes

To inquire about booking Verb Ballets please submit the form below or contact Dr. Margaret Carlson directly at mcarlson@verbballets.org or 216-577-0494.

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TEST Going Solo

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Verb Ballets presents a private virtual performance of Going Solo on February 26, 2021 at 7:00pm ET.  The performance is approximately one hour long.  An encore recording will be made available after the premiere for 48 hours.

Going Solo Program

Read about the dancers and choreographers highlighted on the performance. Hit to read in fullscreen with the button in lower right corner next to the magnifying glass. You can also download directly by clicking the downward arrow in upper left corner or view on the Issuu app.

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Building Bridges Together Livestream

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The viewing encore has ended for this performance.

Verb Ballets and BlueWater Chamber Orchestra present, Building Bridges Together, a captivating collaboration designed, performed, and filmed specifically for virtual performance on November 21, 2020 at 7:00pm ET. The performance opens with Heinz Poll’s Adagio for Two Dancers set to Albinoni’s Adagio for Organ and Strings, G minor.  BlueWater will also play Anton Webern’s Langsamer Satz in a stand-alone performance. The evening closes with Broken Bridges choreographed by Michael Escovedo set to Shostakovich’s Chamber Symphony in C minor, Op. 110a. The program is approximately 45 minutes.

Building Bridges Together Program

Read about the musicians, dancers, choreographers and composers highlighted on the performance. Hit to read in fullscreen with the button in lower right corner next to the magnifying glass. You can also download directly by clicking the downward arrow in upper left corner or view on the Issuu app.

BlueWater Chamber Orchestra is a professional orchestra of local, world-class musicians committed to bringing a transformative musical experience directly into the neighborhoods of NE Ohio. Dedicated to engaging new and diverse audiences through high-level educational programming, community outreach, collaborative partnerships, and artistic excellence, BlueWater shares the luminous world of inspiring music in an inviting and accessible manner. Critics have acknowledged BlueWater as “essential contributors to Cleveland’s classical music scene” and acclaim “the brilliance and professionalism that has become a trademark of BlueWater’s performances.” BlueWater has just entered its second decade under the leadership of newly named Artistic Director, Daniel Meyer.

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Carnival Macabre Livestream

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This show has ended please check our other upcoming performances.

To watch interviews with closed captioning please click here.

Verb Ballets presents Carnival Macabre with rock guitarist Neil Zaza, a cinematic dance-rock experience, premiering October 30, 2020 at 7:00pm ET. This symphonic rock ballet mixes dark, powerful classical arrangements with the fury of a rock concert. Choreographer Antonio Morillo brings passionate choreography to showcase Verb Ballets at its dramatic finest. Bring forth the spirit of the Halloween into your home following the premiere with an encore recording  for 48 hours.

Neil Zaza

Not only has guitarist Neil Zaza helped to define the genre of melodic instrumental guitar, he has become a worldwide ambassador for the instrument itself. His melodic compositions have changed the way musicians play, and what audiences worldwide demand out of their guitar heroes. With fiery technical brilliance and breathtaking musical interpretation, Neil Zaza has defined himself as the instrumental guitarist with an unparalleled ability to combine solid, catchy songwriting with a keen melodic sense and technical fury. From his virtuoso rock solos, to laying a funk groove, to demonstrating his classical prowess by performing Bach and Mozart compositions, Zaza’s extreme versatility has been showcased worldwide in concerts, clinics, festivals, as well as on his own solo instrumental albums. Zaza has shared the bill with Joe Satriani, Steve Vai, Dweezil Zappa, Steve & Mike Porcaro (Toto), Yngwie Malmsteen, Vinnie Moore, and Andy Summers among countless others. He has performed on albums by Dweezil Zappa, Eric Carmen, Michael Stanley and also supplied guitar tracks for a Stewart Copeland-produced movie soundtrack. It all began… in Akron, Ohio, where Neil Zaza was born, and still resides. Zaza started playing guitar at the age of 10 and went on to study classical guitar at The University of Akron under renowned educator and performer Stephen Aron. Zaza began to teach guitar, and in 1987 he formed the rock band Zaza, which quickly became one of the hottest U.S. touring bands at that time. After a successful run and even a hit song “Maybe Tomorrow”, the band disbanded, and a brilliant solo career began.

Antonio Morillo

Antonio is a first-generation Cuban American born in Orlando, Florida. He received his Associate of Arts in Dance Performance from Valencia College and his BFA in Dance Performance from the University of South Florida. Antonio has performed with the Patel Conservatory’s Next Generation Ballet as well as Tampa City Ballet. He has performed works by Jon Lehrer, José Limón, Alonzo King LINES Ballet, Robert Moses’ Kin, and Maurice Causey. Antonio joined Verb Ballets in 2016 and has been featured in works such as Andante Sostenuto and Aposiopesis.

Building Bridges Together

Verb Ballets and BlueWater Chamber Orchestra have joined forces to create, Building Bridges Together, a captivating collaboration designed, performed, and filmed specifically for virtual performance.

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NeoClassical Lines Stream

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This show has ended please check our performance page for an updated listing of shows.

Verb Ballets presents a private livestream performance of NeoClassical LinesACCESS/Verb on October 9, 2020 at 7:00pm ET.  The performance is approximately one hour long. The show will have video interviews while the dancers prepare for the next piece. An encore recording will be made available after the premiere for 24 hours.

Royce Zackery

Royce Zackery received a Master of Arts from N.Y.U. Steinhardt/American Ballet Theatre Department of Music and Performing Arts Professions and is certified in the ABT National Teaching Curriculum with a concentrated degree in Ballet Pedagogy. He received a B.F.A. from Southern Methodist University is a proud member of the International Association of Blacks In Dance, ABT’s Project Plié on faculty both at the The Washington Ballet and THEARC Town Hall Education Arts Recreation Campus. Interdisciplinary driven, Professor Zackery’s research includes brain cognition and bilateralization in human response for injury prevention, efficiency within athletic performance and childhood education (STEAM).

Professor Zackary has more than 20 years of experience as a professional dancer and teacher artist. Naming a few, he has performed in Broadway shows including My One and Only, Oklahoma! and Anything Goes –along with classical ballet and contemporary companies including Ajkun Ballet Theatre, Rioult Dance, Rebecca Kelly Ballet, Thomas/Ortiz Dance, and Ballethnic Dance Company.

Professor Zackery’s choreography, teaching, coaching and directing experience crosses all levels of dance from beginner to professional. He has served as faculty for three of the most prestigious training facilities and programs in NYC know around the world including Broadway Dance Center, The Alvin Ailey Extension Program, and The School at Steps on Broadway. He has also taught dance in public schools, community outreach centers, academies, universities, professional companies, and festivals across the U.S. and abroad. Teaching idioms include Classical/Contemporary Ballet, Contemporary Movement, Jazz, Tap, and Partnering (Classical/ Contemporary).

Currently Professor Zackery is a Tenured Associate Professor and Head Coordinator of Dance Arts for Howard University’s Department of Theatre Arts and Dance Program. Mr. Zackery a grant recipient in collaboration with the Israel Embassy, The Israeli Institute: Schusterman Program and Howard University Dance Arts. He has received choreographic notoriety for works commissioned by the Public Affairs Office of the U.S. &  Rwandan Embassy’s. Other commissions include the Kennedy Center, White Nights Festival, Dixon Place, Ajkun Ballet Theatre, Hofstra University, Irondale Theatre, Staten Island Ballet, Loteria Performing Arts and Nomad Contemporary Ballet. He has also created works for international festivals, galas, governmental functions with choreographic premieres in Germany, Russia, New York City, Africa, Mexico City Mexico, California, Ohio, Texas, Colorado, Oklahoma, and Atlanta, Georgia.

Professor Zackery is a strong believer and advocate for giving back to the community and youth of the world through teaching. He travels to Africa collaborating with a New York based international NGO (MindLeaps) that creates educational programs for vulnerable children in post-conflict and developing countries. and train native teaching artists of Kigali, Rwanda. Working with 11 different artists from 5 different countries, he recently premiered a new choreographic work (BABEL) at the Kigali Genocide Memorial Amphitheatre for the Annual Ubunmutu Arts Festival. Here is the resting place for 300,000 victims of the Genocide against the Tutsi. The choreographic creation is collaboratively accompanied by renowned classical pianist, composer, Howard University Professor, and Global Music Award Winner Dr. Karen Walwyn’s masterpiece Mother Emanuel. The works inspiration derives from the Charleston South Carolina Church massacre of 2015. While in Kigali, Professor Zackery also trains native teaching artists of Kigali, Rwanda and mentors orphans and homeless children to help them get into boarding schools, trade schools, and IT programs.  Professor Zackery’s teaching philosophy is committed to enriching students’ cognitive development. He believes that unconditional caring, patience and mentorship of young people will ensure leaders of tomorrow.

Heinz Poll

Heinz Poll was born in Oberhausen, Germany, in 1926.  Poll, was a champion ice skater before he became a dancer, his experience on the rinks imbued him with a love of speed that he expressed in his athletic baroque ballet, Cascade (1985). After World War II, he studied dance at Joss’s Folkwang School in Essen, began his professional career at the Municipal Theatre in Goettingen and became a principal dancer with the Berlin State Opera Ballet.  In 1951, he joined the National Ballet of Chile as a dancer, ballet master, and teacher.  The company’s tradition of bringing serious programs to indigenous people in remote mountain villages served as the model for Ohio Ballet’s Summer Festival of free outdoor performances.  In 1962, Poll joined Ballet de Jeunesse Musicales de France as ballet master.  Two years later, he came to the United States as a guest artist with the Chilean company.  He performed in the American Dance Festival the following summer and stayed in New York to teach at Thalia Mara’s National Academy of Ballet.  In Akron, he developed Ohio Ballet into one of America’s most polished, respected, and widely traveled chamber dance troupes. Poll was awarded the Association of Ohio Dance Companies Award in 1983, the Cleveland Arts Prize in 1995, and the Ohio Arts Council’s Governor’s Award in 1999.  After his retirement, he wrote his memoir and has conferred a number of his ballets to former Ohio Ballet dancers.  Poll passed away in 2006.

Richard Dickinson, MFA

A former dancer with Ohio Ballet, Dickinson’s association with that company began in 1988. He later became ballet master and director of company touring.  Dickinson was also a soloist with Boston Ballet for eight years. At age fifteen, he joined the Pasadena Dance Theatre and was awarded a National Endowment for the Arts Emerging Choreographer Award for a work premiered by the same company. He performed in the PBS television production of “Frankie and Johnny” with the Chicago Ballet. and danced principal roles in Asian, European and American tours with Rudolf Nureyev and the Boston Ballet. In addition to his professional work, Dickinson had an extensive dance career including principal and soloist roles at Chicago Ballet, Honolulu City Ballet and various regional companies. Previously, he served as Artistic Associate for Hubbard Street Dance Chicago and the Artistic Director of Ballet Western Reserve, Great Lakes Festival Ballet, Chamber Dance Theatre. He has also directed Boston Ballet II and has a Master of Fine Arts degree in Contemporary Dance from Case Western Reserve University.

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Classical Variations Show Stream

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This show is over.

Verb Ballets presents a private live stream performance of Classical Variations – ACCESS/Verb on July 31, 2020 at 7:00pm EST. The company will perform Rococo Variations followed by Raymonda’s Wedding. The performance is approximately one hour long. There will be a ten minute intermission with video interviews highlighting the works on the program.

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Fresh Inventions Show Stream

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Verb Ballets presents its annual Fresh Inventions project as a live stream in studio on June 26, 2020 at 7:00pm featuring works by the dancers and guest choreographer Bobby Wesner. The performance is approximately one hour. Reflections by Producing Artistic Director Dr. Margaret Carlson and Associate Artistic Director Richard Dickinson, MFA will occur between pieces. The biographies of the choreographers are below in order of appearance. To read the bios of the dancers click here. Thank you to everyone that supported our GoFundMe campaign to make this show possible.

Still Moving (2020)
Kate Webb, Choreographer and company dancer

Kate Webb grew up in Richmond, Virginia where she danced both as a student and as a trainee with Richmond Ballet. She trained around the country at numerous intensive programs such as Central Pennsylvania Youth Ballet, Boston Ballet, and Complexions Contemporary Ballet. Upon graduating from Appomattox Regional Governor’s School for the Arts, she attended Butler University on both dance and academic scholarships. While dancing with Butler Ballet, she performed in Poland, Slovakia, and the Czech Republic. After fulfilling her degree in three years, she graduated cum laude in May of 2015 with a BS in Dance-Arts Administration and high departmental honors. Kate joined Verb Ballets in 2015 and has been featured in works such as Peter Pan and Aposiopesis.

WRAP (2020)
Bobby Wesner, Guest choreographer and Artistic Director of Neos Dance Theatre

Bobby began his career as a professional dancer with Ballet Arizona, under the direction of Michael Uthoff (now Ib Anderson). During his stay in Phoenix, he had the honor of working with American Classics such as Fredrik Franklin, Daniel Ezralow, Moses Pendleton of Momix, the Artistic Directors of Pilobolus, Kevin O’Day, Jowali Willa Jo Zolar of Urban Bush Woman, and his wife Brooke Wesner. Other great masterpieces that Wesner has performed are the “Profiteer” in The Green Table by Kurt Jooss; “Iago” in The Moor’s Pavone by Jose Limon; “Tico” in Company B by Paul Taylor, (also in Taylor’s Esplanade); three works of Anthony Tudor: Lilac Garden, Leaves are Fading and Continuo; and The Jester in Earnst Uthoff’s Carmina Burana. Independently, Wesner has traveled and performed with various companies all over the northeast region of the US and in Italy. As Director and Co-Founder Bobby has choreographed 6 evening length ballets for Neos Dance Theatre. Neos also performs many of Wesner’s repertory works including Spinning Plates, Various Principals, Norm and Cleo, and more. Bobby and Brooke live in Ashland, Ohio and are proud of their four daughters Genevieve, Ella, Mekah, and Arowyn. They look forward to becoming grandparents in the summer of 2020. Wesner recently accepted a position as Senior Ballet Instructor and Resident Choreographer at Belhaven University.

The Deafening Words Unspoken (2020)
Hunter Hoffman, Choreographer and company dancer

Hunter Hoffman is a first generation American raised by his Cuban family and born in Miami, Florida where he trained at the Mencia Pikeiris School of Dance and the Miami Youth Ballet. While studying on scholarship to receive his BFA in Dance Performance from Mercyhurst University, Hunter had the opportunity to work with The Mercyhurst Dancers, Lake Erie Ballet, New World Connection, and Ballet Concerto performing roles such as The Cavalier and Spanish in Tchaikovsky’s The Nutcracker. He also spent a summer in Texas studying under Margo Dean, founding member of Texas Ballet Theatre. He has trained under other prominent dancers and choreographers such as Nilas Martins of New York City Ballet, Maria Caruso of Bodiography, and Tauna Hunter of Ballet West. He is excited to join Verb Ballets as an apprentice for the 2019-2020 season.

Tumultuous Rest (2020)
Antonio Morillo, Choreographer and company dancer

Antonio is a first-generation Cuban American born in Orlando, Florida. He received his Associate of Arts in Dance Performance from Valencia College and his BFA in Dance Performance from the University of South Florida. Antonio has performed with the Patel Conservatory’s Next Generation Ballet as well as Tampa City Ballet. He has performed works by Jon Lehrer, José Limón, Alonzo King LINES Ballet, Robert Moses’ Kin, and Maurice Causey. Antonio joined Verb Ballets in 2016 and has been featured in works such as Andante Sostenuto and Aposiopesis.

With a Little Help (2020)
Choreographed by Lieneke Matte, Choreographer and company dancer

Lieneke Matte grew up in the Bronx and received her early training at Ballet Tech and the School of American Ballet. She then attended Fiorello H. La Guardia High School for the Performing Arts in New York. Lieneke studied for a semester at the Western Australian Academy of Performing Arts and graduated summa cum laude with a B.F.A in dance from SUNY Purchase College in May of 2013. There she also received the President’s Award for the dance conservatory. She has performed in works by George Balanchine, Paul Taylor, Lar Lubovitch, Merce Cunningham, Martha Graham, Nicolo Fonte, Nicholas Villeneuve and Xiao-Xiong Zhang. Lieneke was also a dancer in the documentary No Dominion: The Ian Horvath Story which included re-stagings featuring dancers from Verb Ballets, Pacific Northwest Ballet, The Joffrey Ballet, Boston Ballet and Ballet Tucson. Lieneke joined Verb Ballets in 2013 and has been featured in works such as Duet and Laura’s Women.

Children’s Dance Classes

Learn from your favorite Verb teachers, get feedback and encouragement in real-time, and enjoy the company of other dancers all from your own home! Affordable classes will be be delivered through Zoom’s online platform. Classes for the month of July start July 6th.

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Adult Dance Classes

Verb Ballets is happy to offer both in studio small classes and online Zoom classes. These classes are specifically designed for ages 14 and up. We offer an array of ballet classes in a variety of different ability levels from beginner to advanced.

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Fresh Inventions Reflections

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This week would have marked Verb Ballets’ 20th year of participating in Cleveland Public Theatre’s DanceWorks Series. Each year, Verb Ballets harnesses the innovative spirit that embodies the Cleveland Public Theatre to challenge the dancers to explore their artistic limits with Fresh Inventions. Fresh Inventions encourages dancers to step into the role of choreographer. We want to mark this creativity with highlights from some of the most recent creations.

Please consider making a donation to our Go Fund Me campaign to support the company during this difficult time.

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three lullabies for you and I

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Choreographer, Daniel Cho explores the notion of relationships

May 16-18, 2019Fresh Inventions at Cleveland Public Theatre

Briefly describe the inspiration, motivation and/or loose narrative behind the work?
This piece was founded on the notion of relationships. I’ve recently been interested in how various relationships-with oneself, with another person, with a group of people- can be represented through highly physicalized movement. I also have treated this process of creating the work as a gift to my fellow peers and dancers. I feel privileged to work with such a group of hard-working and talented individuals that I wanted the piece to showcase their strengths as movers and individuals, as well as to challenge them in new and exciting ways

What influences your own inspiration or movement style?
As a dancer and choreographer, I always prioritize presenting work that communicates a clear message while also staying relatable to people of various backgrounds. I think it is important to remember that people who are not necessarily dancers are watching any performance and so there always has to be an element of my performance that speaks to the human condition.

How do you begin making a dance?
I always view choreography as a collaboration, so I enjoy bringing in material that I come up with and seeing how that reads on other dancers with completely different body types and experiences from mine. I view my role as a choreographer to highlight the strengths and creative input that the dancers provide, rather than to dictate dancers to abide by a strict sequence of steps.

How does your work connect to the larger world?
Seeing as the piece is about relationships in a variety of contexts to beautiful instrumental music, it is my hope that viewers will find something to connect with while they watch the piece.

When did you start dancing?
I started my official dance training as a sophomore in college when I was 20 years old.

This is Daniel Cho’s first piece choreographed for the company.

Don't Miss!

Verb Ballets
May 16-18, 2019 7:30pm
Cleveland Public Theatre
Tickets: $15 Thurs $25 Fri/Sat

Daniel Cho

Choreographer and Dancer

Daniel Cho is from San Francisco, California, and holds a BA special major in Dance and Education from Swarthmore College. He received his training from Point Park Conservatory, the Laban Conservatoire in London, the Ballet X Summer Intensive, the San Francisco Conservatory of Dance and the Coastal City Ballet in Vancouver, British Columbia. Daniel is a recent graduate of the Alonzo King LINES Ballet Training Program, where he had the pleasure of performing works by Alonzo King, Angela Dice Nguyen, Sidra Bell, Shannon Gillen, Alex Ketley, Gioconda Barbuto, Maurya Kerr, and Gregory Dawson. He is thrilled to be joining Verb Ballets as an apprentice for the 2018-19 season. Daniel was promoted to full company member in February 2019.

Fresh Inventions at DanceWorks 2019